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Nathy Peluso conversation

Nathy Peluso © Leo Adef

Debut, Features, Interviews, MusicNovember 13, 2020<April 8, 2021

Interview: Latin Grammy Nominee Nathy Peluso Takes Us Through Debut Album ‘Calambre’

by Alicia Bugallo

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“I hope life has plans for us”: Jordan Lindley Premieres “Sometime Someday,” His Angsty, Restless Song of Ignorant Acceptance
Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims
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“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change

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Recent Posts

“I hope life has plans for us”: Jordan Lindley Premieres “Sometime Someday,” His Angsty, Restless Song of Ignorant Acceptance April 24, 2024
Chappell Roan’s “Good Luck, Babe!” Is an Anthem for Comphet Victims April 24, 2024
“Yn Byw a Bod”: Welsh Band WRKHOUSE Come Alive on Debut EP ‘Out of the Blue,’ a Dreamy, Exhilarating Indie Rock Reverie April 23, 2024
“Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem April 23, 2024
“The night is her thief”: Yvonne Ambrée Premieres Her Intimately Unsettling “Thieves,” a Soul-Stirring, Shiver-Inducing Seduction April 23, 2024
Interview: Red Rum Club Revel in the Wake of Success With ‘Western Approaches’ April 23, 2024
“You can’t think your way out of a chemical imbalance”: NYC’s ROREY Opens Up About Music, Mental Health, and Being Your Own Catalyst for Change April 23, 2024
Live Review: Asha Imuno Takes Boston’s The Sinclair by Storm April 23, 2024
Today’s Song: Singer/Songwriter Nick Folwarczny’s “Long, Long While” Is a Heavy Folk-Stained Heartache April 22, 2024
‘All Back to Mine’: How Life, Imperfections, & the Human Experience Transformed into a Beautiful Ode of BANNERS’ Homecoming April 22, 2024

© Atwood Magazine 2023 For the Love of Music

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