Features, Interviews, Music, Track-by-TrackAugust 1, 2023<August 4, 2023 “Letters to my future self”: Sofia Machray Speaks the ‘Language of Flowers’ on Her Delicate & Dynamic Debut EP by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022 “I didn’t expect it to be, but I think it is an album for introverts”: Inside French for Rabbits’ 3rd LP, ‘The Overflow’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackOctober 26, 2020<October 26, 2020 Track by Track: The Phoenix Foundation’s ‘Friend Ship’ Explores Connection on Many Levels by Mitch Mosk
7 Music, Our Take, ReviewsApril 24, 2020<December 15, 2020 Our Take: Marlin’s Dreaming’s ‘Quotidian’ Is a Hazy & Shimmery Full-Length Offering by Nick Matthopoulos
Features, Interviews, MusicMarch 16, 2020<March 16, 2020 Interview: Yumi Zouma Tackle the Complexity of Life in 3rd Album ‘Truth or Consequences’ by Caitlin Ison
Music, Music Videos, PremieresFebruary 19, 2020<February 18, 2020 Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim” by Matthew Dunn
Features, Interviews, MusicJanuary 17, 2020<January 17, 2020 Poignant Pitch-Perfect Pop: An Interview with Navvy by Luke Pettican
Debut, Music, PremieresFebruary 20, 2019<February 20, 2019 Premiere: Reverie, Rebirth & Reflection in A.U.R.A’s Enchanting “Immensely I” by Mitch Mosk
Features, Music, PremieresJanuary 24, 2019<October 17, 2019 Album Premiere: Heartbreak & Mending in French for Rabbits’ Achingly Beautiful ‘The Weight of Melted Snow’ by Mitch Mosk
Music, PremieresMay 2, 2018<May 2, 2018 Premiere: Louis Baker’s Soulful and Subtle “Black Crow” by Mariel Fechik
Debut, Features, Music, Our Take, ReviewsMay 16, 2017<May 26, 2017 FEATURE: The Dark Pop and Deep Reflection of Rousseau’s Debut EP ‘hello, i know you’re busy’ by Mitch Mosk
Debut, Features, Music, PremieresFebruary 9, 2017<February 14, 2017 Exclusive Premiere: Rousseau’s Haunting “Desert Road” and the Raw Pain of Change by Mitch Mosk
For the Love of Music
For the Love of Music
