10 Debut, Music, Our Take, Reviews, Track-by-Track March 19, 2020 December 15, 2020 Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’ by Mitch Mosk
7.5 Music, Our Take, Reviews March 17, 2020 December 15, 2020 Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’ by Josh Weiner
8.1 Music, Our Take, Reviews March 17, 2020 December 15, 2020 Sam Lee’s “Old Wow” Is Rooted in the Past, Yet Its Ecological Message Is Relevant and Tender by Tim Horwood
8.6 Music, Our Take, Reviews March 2, 2020 December 15, 2020 Our Take: Soccer Mommy’s ‘Color Theory’ Explores Darkness in Three Colors by Lowndes Commander
8.1 Debut, Music, Our Take, Reviews February 28, 2020 December 15, 2020 Our Take: otta’s ‘after it all blew over’ Is a Smart & Captivating Debut EP by Tim Horwood
7.9 Music, Our Take, Reviews February 27, 2020 December 15, 2020 Our Take: Tame Impala Meditates House Music and Mindfulness on ‘The Slow Rush’ by Ben Niesen
9 Music, Our Take, Reviews January 24, 2020 December 15, 2020 Our Take: Andy Shauf Redefines the Songwriter on ‘The Neon Skyline’ by Adrian Vargas
7.4 Music, Our Take, Reviews January 20, 2020 December 15, 2020 No Sophomore Slump Here: Our Take on Camila Cabello’s ‘Romance’ by Josh Weiner
9 Debut, Music, Our Take, Reviews January 17, 2020 December 15, 2020 Sudan Archives’ ‘Athena’: Lessons for Mere Mortals from a Thoroughly Modern Violinist by Tim Horwood
9 Music, Our Take, Reviews January 16, 2020 December 15, 2020 A Catharsis for the Weary Soul: A Track-by-Track Review of Keaton Henson’s ‘Six Lethargies’ by Adrian Vargas
8.7 Music, Our Take, Reviews January 14, 2020 December 15, 2020 Our Take: Kaytranada Delivers the Last Great Dance Record of the 2010s by Josh Weiner
8.7 Music, Our Take, Reviews January 7, 2020 December 15, 2020 Our Take: Akai Solo and Pink Siifu’s ‘Black Sand’ Is an Experimental Treasure by Ryan Feyre
8.3 Debut, Music, Our Take, Reviews November 19, 2019 December 15, 2020 Our Take: Sam Fender’s ‘Hypersonic Missiles’ Is a Protest Piece Tailor-Made for the 21st Century by Alicia Bugallo
7.3 Music, Our Take, Reviews November 8, 2019 December 15, 2020 Our Take: Kanye West Combines Hip-Hop and Gospel Surprisingly Well on ‘Jesus Is King’ by Josh Weiner
10 Music, Our Take, Reviews October 1, 2019 December 15, 2020 Our Take: Foy Vance’s ‘To Memphis’ Is the Record for Your Soul by Erica Danielle Garcia
For the Love of Music
For the Love of Music
