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Philly music scene

Columns, Music, This Just In, Today's SongAugust 20, 2020<September 4, 2020

This Just In: Palmas Welcome the Novelty of the Unknown in “Holy Ground”

by Maggie McHale

The Vernes © 2018

Features, Interviews, Music, PremieresSeptember 5, 2018<September 5, 2018

Interview: Nostalgia, Growth, and Brotherhood in The Vernes’ “1994”

by Sara Santora

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Brand New

Charli XCX Embodies (House) Party Girl Vibes With “Club Classics”
“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie
“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang
Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media

:: discover something new ::

:: discover something new ::

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Recent Posts

Charli XCX Embodies (House) Party Girl Vibes With “Club Classics” April 19, 2024
“Stand for the encore of Sisyphus’ sigh”: Pillow Queens’ ‘Name Your Sorrow’ Is a Heavy, Sweaty, & Seductive Indie Rock Reverie April 19, 2024
“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang April 18, 2024
Interview: Jon Sandler & Luke Mollman Are in a State of Existence That’s Great Good Fine Ok With Them April 18, 2024
‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP April 18, 2024
Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP April 18, 2024
Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media April 18, 2024
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light” April 17, 2024
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER” April 17, 2024
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024

© Atwood Magazine 2023 For the Love of Music

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