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Debut, Music, ReviewsJune 18, 2020<June 17, 2020

Review: Pilkington’s Long-Awaited Debut Captures the Beauty & Pain of Growing Up

by Oliver Crook

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Brand New

‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’

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Recent Posts

‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ April 16, 2024
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy April 16, 2024
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are” April 16, 2024
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty” April 16, 2024
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers April 15, 2024
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ April 15, 2024
“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction April 15, 2024
Today’s Song: LA’s Liv Miraldi Exposes a Dark, Ugly Secret in “Friend of the Family” April 14, 2024
Today’s Song: The Enchanting Interior World of London Grammar’s “House” April 13, 2024

© Atwood Magazine 2023 For the Love of Music

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