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Rags and Riches

Atwood Magazine's Weekly Roundup | September 1, 2023

Columns, Features, Music, Weekly RoundupSeptember 1, 2023<September 1, 2023

Atwood Magazine’s Weekly Roundup: September 1, 2023

by Atwood Magazine Staff

Atwood Magazine's Weekly Roundup | February 3, 2023

Columns, Features, Music, Weekly RoundupFebruary 3, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 3, 2023

by Atwood Magazine Staff

Atwood Magazine's Weekly Roundup March 19, 2021

Columns, Features, Music, Weekly RoundupMarch 19, 2021<March 25, 2021

Atwood Magazine’s Weekly Roundup: March 19, 2021

by Atwood Magazine Staff

Atwood Magazine's Weekly Roundup February 7 2020

Columns, Features, Music, Weekly RoundupFebruary 7, 2020<March 6, 2020

Atwood Magazine’s Weekly Roundup: February 7, 2020

by Atwood Magazine Staff

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Brand New

Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER”
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”

:: discover something new ::

:: discover something new ::

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Recent Posts

Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media April 18, 2024
“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light” April 17, 2024
“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER” April 17, 2024
‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ April 16, 2024
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy April 16, 2024
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are” April 16, 2024
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty” April 16, 2024
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers April 15, 2024
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ April 15, 2024

© Atwood Magazine 2023 For the Love of Music

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