Concerts, Music, ReviewsOctober 25, 2023<October 25, 2023 Live Review: Rina Sawayama Brings Glam Cowgirl Pop/Rock to the Lone Star State by Marissa DeLeon
Concerts, Music, ReviewsJune 12, 2023<June 12, 2023 Review: Rina Sawayama Moseys “Hold the Girl: Reloaded” Tour to New York City’s Governors Ball Music Festival by Julia Dzurillay
Asian American and Pacific Islander Heritage Month, Columns, Features, MusicMay 31, 2023<May 31, 2023 Celebrating Asian & Pacific Islander Representation in Music for AAPI Heritage Month 2023! by Atwood Magazine Staff
Columns, Features, Music, Weekly RoundupSeptember 23, 2022<September 25, 2022 Atwood Magazine’s Weekly Roundup: September 23, 2022 by Atwood Magazine Staff
Music, Podcast, Tunes & TumblersJune 9, 2022<April 30, 2023 Podcast: Tunes & Tumblers Celebrates Pride ’22 with Rina Sawayama ft. Grace Kay by Atwood Magazine Staff
Features, Lists, MusicDecember 18, 2020<February 5, 2021 Atwood Magazine’s 2020 Songs of the Year by Atwood Magazine Staff
9 Debut, Music, Our Take, ReviewsApril 23, 2020<December 15, 2020 Our Take: Rina Sawayama’s Debut LP ‘SAWAYAMA’ Is the Epitome of Brilliant & Badass Hyperpop by Lexi Lane
Columns, Music, Today's SongJanuary 30, 2020<January 30, 2020 Rina Sawayama Channels Early 2000s Swagger in Her Drippingly Confident “Comme des Garçons” by Danny Vagnoni