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Tusks My Love review

Tusks © Harvey Pearson

Features, Interviews, Music, Music Videos, Premieres, ReviewsAugust 9, 2018<September 25, 2018

Feature: Tusks’ Stripped Sessions Evoke Haunting Intimacy with Raw Grace

by Mitch Mosk

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Brand New

‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’

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:: discover something new ::

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Recent Posts

‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP April 16, 2024
“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’ April 16, 2024
“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy April 16, 2024
Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are” April 16, 2024
“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty” April 16, 2024
“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers April 15, 2024
Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’ April 15, 2024
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© Atwood Magazine 2023 For the Love of Music

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