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Dusty Hayes

Towa Bird "Gentleman" © 2026

Columns, Music, Today's SongMarch 27, 2026<March 27, 2026

“She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter

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The Best Sounds from SXSW 2026 March 27, 2026
Roundtable Discussion: A Review of Mumford & Sons’ ‘Prizefighter’ March 27, 2026
“She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter March 27, 2026
“Consecutive Thuds from Executive Thugs”: Nashville’s Palm Ghosts Confront Capitalism’s Grip with Indie Rock Urgency on “Walk Into Your New Life” March 26, 2026
“Embracing Innovation, Bei Bei Style”: An Essay by Bei Bei for Women’s History Month March 26, 2026
“In the Silence There Is Truth”: Bandits on the Run Find Beauty in Letting Go on “Rough Magic,” a Dreamy Folk Reverie March 26, 2026
“I don’t kiss and tell, I just kiss and sing”: Keni Titus Confronts Her Wandering Eyes on “hands to myself,” a Smoldering Indie Folk Confessional March 26, 2026
Today’s Song: Brooklyn’s Sanford: Laments a Lost World in “Hooked on a Dream” March 25, 2026
“Are We Even Listening? How Convenience and Anxiety Changed Our Listening Habits”: An Essay by The Pretty Flowers’ Sean Johnson March 25, 2026
“I’m a Mess and You Like It”: Lennie Rayen Channels the Ache of Wanting More into a Smoldering Indie Pop Confession March 25, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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