October 15, 2021 October 15, 2021 Feature: Vance Joy Searches for That “Missing Piece” with Reworkings of Latest Hit by Anthony Kozlowski
October 11, 2021 October 9, 2021 Interview: Lala Lala Becomes One with the Current on New Album ‘I Want The Door to Open’ by Sophie Prettyman-Beauchamp
October 8, 2021 October 8, 2021 These Dreams: Anna B Savage On New EP, Emotional Extremeties, & More Birds by Mariel Fechik
October 7, 2021 October 4, 2021 Interview: Ásgeir’s ‘The Sky Is Painted Gray Today’ EP Brings the Past into the Future by Ilana Kalish
October 6, 2021 October 4, 2021 Interview: Take a Plunge into the World of Edinburgh’s Riotous Rockers Swim School by Bethan Harper
October 5, 2021 October 5, 2021 Interview: Slothrust dig into their latest hypnotic, mysterious album ‘Parallel Timeline’ by Dimitra Gurduiala
October 5, 2021 October 5, 2021 “Heart-Wrenching, Real, & Lifegiving”: The Stunning Grief of Leah Shaw’s Debut Album ‘Play Beautifully’ by Mitch Mosk
October 5, 2021 October 5, 2021 “Never Ending Story”: Inside NGAIIRE’s Intimate, Wondrous & Soulful Album, ‘3’ by Mitch Mosk
October 4, 2021 October 5, 2021 “Introspective, Cinematic, & Dark”: Boslen Dives into the Vulnerable Depths of Debut Album ‘DUSK to DAWN’ by Mitch Mosk
October 4, 2021 October 4, 2021 “Earnest, Nostalgic, & Colorful”: Inside Maisyn’s Intimate & Catchy Coming-of-Age Debut EP ‘Cool Grl’ by Mitch Mosk
October 1, 2021 October 1, 2021 Premiere: B-Drop Worldwide Showcases Cuffed Up, sorebae, Cheer Up Club, Jango Flash, & The Rare Occasions by Mitch Mosk
October 1, 2021 October 1, 2021 “Unapologetic, Evocative, & English”: Inside Bess Atwell’s Stirring Sophomore LP ‘Already, Always’ by Mitch Mosk
October 1, 2021 October 1, 2021 Atwood Magazine’s Weekly Roundup: Hispanic Heritage Month 2021 by Staff
For the Love of Music
For the Love of Music
