Features
Sun-Drenched, Groovy, & Lush: Melbourne’s Shannen James Strikes Hot with Debut ‘Arrows’ EP
Feature: Pillow Queens Challenge Themselves & Their City on ‘In Waiting’
Interview: Mt. Joy Soar in Triumphant & Stirring Second Album ‘Rearrange Us’
Where We All Go to Dance: Community, Connection, & Music with Saxophonist Jess Gillam
Feature: Joe Kollar’s Stirring Space Folk Soars on Debut Album ‘Side Street’
Track-by-Track: Maggie Miles Perfects Alt-Pop Intimacy on Debut Album ‘Am I Drowning or Am I Just Learning to Swim’
“Spooky, Goofy, & Sad”: Cults Dwell in Deep, Dazzling Depths on New Album ‘Host’
Interview: Betty Who Once Again Proves That Love Is Love in ‘Unpregnant’ Feature Film Debut
Atwood Magazine’s Weekly Roundup: September 18, 2020
Artist to Watch: McCall’s ‘On Self Loathing’ EP Is a Stunning Tapestry of Vulnerable, Electrifying Music
Questioning Loneliness & Transition: A Conversation with Fenne Lily
Handsome Ghost Dive into Stunning Depths on ‘Some Still Morning’, a Beautifully Haunting Reckoning
Interview with Lido: Looping Past Loves Through Conceptual Ideas
