October 8, 2026<October 8, 2026 “This Is a Rock Band”: The Bends Let Loose on ‘If You Insist,’ a Spirited Debut Fueled by Friendship, Freedom, and Rock ‘n’ Roll by Kelly McCafferty Dorogy
October 7, 2026<October 7, 2026 “Pointless Intense Crushes”: So Faint Build an Entire Imaginary Romance on “Fully Slow,” Their Intoxicating Debut Single by Lily O'Delia
October 6, 2026<October 6, 2026 A Planet Where Billionaires Reign: Leaving Graffiti’s Debut Single “Proud” Takes Aim At a Broken System by Chloe Robinson
October 2, 2026<October 5, 2026 “We Have to Face the Pain to Unlock Healing”: Jeff Darko Reveals His Soul on Daring Debut ‘Heavy Water Blues,’ a Spellbinding Vision of Psychedelic Gospel by Mitch Mosk
October 2, 2026<October 2, 2026 Interview: Dexter and the Moonrocks Let It All in on Debut Album ‘Friends That I Don’t Like’ by Emma Schoors
October 1, 2026<October 2, 2026 “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut by Mitch Mosk
September 30, 2026<September 30, 2026 “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower by Mitch Mosk
September 29, 2026<September 29, 2026 “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut by Mitch Mosk
September 29, 2026<September 29, 2026 “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection by Isabella Appell
September 10, 2026<September 10, 2026 “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” by Mitch Mosk
September 8, 2026<September 8, 2026 “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption by Mitch Mosk
September 2, 2026<September 2, 2026 “Let’s Trust Our Guts”: Brennan Wedl Exits the Supervoid on Her Grungy, Twangy Self-Titled LP by Kelsey Ferrell
August 28, 2026<August 28, 2026 “This Is What It Was Supposed to Feel Like All This Time”: chandol’s Charley Yang Steps Fully Into Himself on ‘Mercurial,’ a Debut Reckoning with Memory & Change by Mitch Mosk
August 25, 2026<August 25, 2026 “Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” by Mitch Mosk
August 21, 2026<August 21, 2026 “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ by Aileen Goos
For the Love of Music
For the Love of Music
