August 28, 2026<August 28, 2026 “This Is What It Was Supposed to Feel Like All This Time”: chandol’s Charley Yang Steps Fully Into Himself on ‘Mercurial,’ a Debut Reckoning with Memory & Change by Mitch Mosk
August 25, 2026<August 25, 2026 “Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” by Mitch Mosk
August 21, 2026<August 21, 2026 “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ by Aileen Goos
August 14, 2026<August 14, 2026 “We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album by Guest Writer
August 14, 2026<August 14, 2026 “I’ve Always Wanted to Be Chosen”: Dani Stocksdale Turns 20-Something Yearning and Uncertainty into Dreamy Indie Pop on ‘Whatever This Is’ by Bárbara Martínez Campuzano
August 13, 2026<August 13, 2026 “I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone” by Mitch Mosk
8.1 August 7, 2026<August 7, 2026 Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ by Guest Writer
August 5, 2026<August 5, 2026 “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut by Mitch Mosk
July 30, 2026<July 30, 2026 “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ by Mitch Mosk
July 29, 2026<July 29, 2026 “Some Things Have to Break”: Nigel Godrich and Dhani Harrison Take Flight as Dragonflies with Spellbinding Debut Single “Slower” by Aidan Moyer
July 29, 2026<July 31, 2026 “A Bow of Optimism”: Al Nicol Bathes Hope in Sweet, Soul-Stirring Light on “Blue Stained Glass” ft. lighthearted by Mitch Mosk
July 28, 2026<July 28, 2026 “I Want to Be the Creator of a New Sound”: Bec O’Malley Doesn’t Need Nashville to Make Country Music by Aileen Goos
July 24, 2026<July 24, 2026 “There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’ by Lily O'Delia
July 23, 2026<July 23, 2026 “The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack” by Mitch Mosk
July 21, 2026<July 21, 2026 “A Safe, Magical Space for People to Live Inside Of”: mary in the junkyard Are in the Business of Worldbuilding on Debut Album ‘Role Model Hermit’ by Olivia Martinez
For the Love of Music
For the Love of Music
