August 5, 2022 August 4, 2022 “Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’ by Mitch Mosk
August 4, 2022 August 4, 2022 Bewitching, Elaborate, and Nostalgic: Diving into ‘Happening’ with Launder by Isabella Le
August 3, 2022 August 4, 2022 BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album by Mitch Mosk
August 2, 2022 August 2, 2022 Premiere: Nashville Duo Homes at Night’s Raw & Catchy Alt-Rock Reeling, “Tell Emma” by Mitch Mosk
July 20, 2022 July 12, 2022 “Kaleidoscope of Catharsis”: A Track-by-Track Review of Lia Rye’s ‘Fever Dream’ EP by Joe Beer
July 14, 2022 July 13, 2022 “TENNIS, But Make It Pop!”: Josie Dunne Serves Up Her Stunning Debut Album by Mitch Mosk
July 12, 2022 July 12, 2022 Coastal, Winter, & Driving: Riley Pearce’s Breathtaking Debut Album ‘The Water & The Rough’ by Mitch Mosk
July 8, 2022 July 8, 2022 ‘Stay Proud of Me’: NoSo’s Wondrous, Wistful & Reflective Coming-of-Age Debut Album by Mitch Mosk
July 7, 2022 July 7, 2022 Interview: Ogi Debuts Her Stunningly Soulful, Colorful & Expansive ‘Monologues’ EP by Mitch Mosk
June 30, 2022 June 30, 2022 “Pine, Glimmer, Butterscotch”: Éclo (Hibou’s Peter Michel) Hatches with Wondrous Indie Folk on Self-Titled Debut by Mitch Mosk
June 27, 2022 June 27, 2022 “A Spiraling Breakfast”: Inside Honeyglaze’s Raw, Honest, & Vulnerable Self-Titled Debut Album by Mitch Mosk
10 June 24, 2022 July 2, 2022 “Welcome to your existence”: Johnny Hunter Triumph with Debut ‘WANT’, a Cinematic Post-Punk Masterpiece by Mitch Mosk
June 22, 2022 June 22, 2022 “Powerful, Vulnerable, & Ferocious”: The Trauma & Triumph of Jaguar Jonze’s Debut Album, ‘BUNNY MODE’ by Mitch Mosk
June 17, 2022 June 18, 2022 “Honest, Live, & Jangly”: Sippin’ From The Big Drink’s Sun-Kissed Self-Titled Debut by Mitch Mosk
June 16, 2022 June 16, 2022 “Love Letters From Houston”: KAIRO Set a Stunning Foundation with Radiant & Sun-Kissed Debut EP by Mitch Mosk
For the Love of Music
For the Love of Music
