December 4, 2024<December 4, 2024 Feature: Vlad Holiday Chases ‘My Favorite Drug’ on His Darkly Romantic Debut Album by Mitch Mosk
December 4, 2024<December 4, 2024 “Cheeky, Vulnerable, & Gritty”: Hank Heaven Debuts With Angst and Twang on Soul-Stirring LP ‘Loaded Dice’ by Mitch Mosk
December 3, 2024<December 3, 2024 “I want it to feel like you’re opening my diary”: Jo Hill Embraces & Exudes ‘girlhood.’ on Her Raw, Liberating, Coming-of-Age Debut Album by Mitch Mosk
November 28, 2024<November 27, 2024 “Crawling up the walls”: Brighton’s Roman Joon Debuts With Fresh, Urgent, & Exhilarating “Call It What You Want” by Mitch Mosk
8.7 November 27, 2024<November 27, 2024 Our Take: Wallice’s ‘The Jester’ Is an Eclectic Portrayal of Life and Striving to Reach Our Dreams by Frankie Rose
November 23, 2024<November 23, 2024 “Now is the time for me to get what I want”: The Quiet Confidence of Kim Deal’s “A Good Time Pushed” by Stephanie Bento
November 22, 2024<November 22, 2024 Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut by Mitch Mosk
November 21, 2024<November 21, 2024 “I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’ by Isabella Le
November 19, 2024<November 19, 2024 Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ by Mitch Mosk
November 15, 2024<November 15, 2024 Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’ by Mitch Mosk
November 14, 2024<November 14, 2024 Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ by Mitch Mosk
November 7, 2024<November 7, 2024 Interview: Brooke Alexx on Authenticity and the DIY Approach Behind ‘Big Mouth’ by Frankie Rose
November 4, 2024<November 4, 2024 Interview: Adam Paddock Is in a Lifelong Pursuit of Excellency by Noah Wade
November 1, 2024<November 1, 2024 “Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut by Mitch Mosk
November 1, 2024<November 1, 2024 “I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’ by Mitch Mosk
For the Love of Music
For the Love of Music
