8.1 August 7, 2026<August 7, 2026 Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ by Guest Writer
August 5, 2026<August 5, 2026 “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut by Mitch Mosk
July 30, 2026<July 30, 2026 “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ by Mitch Mosk
July 29, 2026<July 29, 2026 “Some Things Have to Break”: Nigel Godrich and Dhani Harrison Take Flight as Dragonflies with Spellbinding Debut Single “Slower” by Aidan Moyer
July 29, 2026<July 31, 2026 “A Bow of Optimism”: Al Nicol Bathes Hope in Sweet, Soul-Stirring Light on “Blue Stained Glass” ft. lighthearted by Mitch Mosk
July 28, 2026<July 28, 2026 “I Want to Be the Creator of a New Sound”: Bec O’Malley Doesn’t Need Nashville to Make Country Music by Aileen Goos
July 27, 2026<July 27, 2026 “Will the Light Still Win?”: Joshua Jensen Debuts with Grace & Thunder on “Hoping,” a Towering Folk-Rock Prayer Against Despair by Mitch Mosk
July 24, 2026<July 24, 2026 “There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’ by Lily O'Delia
July 23, 2026<July 23, 2026 “The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack” by Mitch Mosk
July 21, 2026<July 21, 2026 “A Safe, Magical Space for People to Live Inside Of”: mary in the junkyard Are in the Business of Worldbuilding on Debut Album ‘Role Model Hermit’ by Olivia Martinez
July 16, 2026<July 16, 2026 “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ by Mitch Mosk
July 15, 2026<July 15, 2026 “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain by Mitch Mosk
July 14, 2026<July 14, 2026 “You Can Do Whatever You Want”: Ryann Ross on Her Debut EP ‘On the Marsh’ and the Songs You Can’t Recreate by Kelly McCafferty Dorogy
July 13, 2026<July 14, 2026 “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past by Mitch Mosk
July 9, 2026<July 9, 2026 “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love by Mitch Mosk
For the Love of Music
For the Love of Music
