November 5, 2024<November 5, 2024 Today’s Song: Declan Welsh and the Decadent West’s Feverish Anti-War Protest Anthem, “Inaction” by Mitch Mosk
November 4, 2024<November 4, 2024 Sounds From the Ground: The Theatreship, London, 12 October 2024 by Frederick Bloy
November 4, 2024<November 2, 2024 The Beautiful, Brutal Ache of Sarah Klang & Fruit Bats’ Love Song, “Last Forever” by Mitch Mosk
November 3, 2024<November 1, 2024 Today’s Song: Friedberg’s “Hardcore Workout Queen” Is a Seductive & Cinematic Indie Pop Fever Dream by Mitch Mosk
November 2, 2024<November 1, 2024 Tom A. Smith’s Emotionally Charged Masterpiece, “I Don’t Want You to Have to Remember Me for Longer Than You Ever Knew Me” (ft. swim school) by Mitch Mosk
November 1, 2024<November 1, 2024 “Please don’t waste my time when rent is due”: Amahla’s Inner Light Shines on “Money” by Mitch Mosk
October 31, 2024<November 1, 2024 Atwood Magazine’s Weekly Roundup: November 1, 2024 by Atwood Magazine Staff
October 31, 2024<October 31, 2024 Today’s Song: Soda Blonde’s “Bully” Is an Irresistible Anthem of Angst, Brain Rot, & Inner Turmoil From Dublin’s Finest by Mitch Mosk
October 28, 2024<October 27, 2024 “Everything is fleeting except you and I”: Gordi & SOAK Craft a Sacred Space in “Lunch At Dune,” a Folktronic Breath of Love and True Connection by Mitch Mosk
October 27, 2024<October 27, 2024 “Honey, just shut up and ride”: Mk.gee’s Dreamy, Seductive, & Smoldering “ROCKMAN” by Mitch Mosk
October 24, 2024<October 24, 2024 Today’s Song: Cecilia Castleman’s Wistful “Looking for June” Aches With the Sting of Growing Apart by Mitch Mosk
October 21, 2024<October 23, 2024 Atwood Magazine’s Weekly Roundup: October 21, 2024 by Atwood Magazine Staff
October 21, 2024<October 23, 2024 Interview: South London’s Kemi Ade Goes from Victim, to Villain, to Artist-to-Watch in “Gaslight” by Mitch Mosk
October 19, 2024<October 19, 2024 Daisy the Great Deliver for “All the People” in Dynamic & Dreamy ‘Spectacle: Daisy the Great vs. Tony Visconti’ by Mitch Mosk
October 18, 2024<October 18, 2024 “The mission of my music is to heal with others”: A Conversation With Mon Rovîa by Mitch Mosk