October 13, 2026<October 13, 2026 Baby Rose Turns Heartbreak into Self-Preservation on “Better,” a Soulful Reflection on Missing Someone While Still Choosing Yourself by Lily O'Delia
October 12, 2026<October 12, 2026 Atwood Magazine’s Weekly Roundup: October 12, 2026 by Atwood Magazine Staff
October 9, 2026<October 9, 2026 Editor’s Picks 168: Formal Sppeedwear, Black Bananas, Brother Wallace, Palace, Dummy, & Brickhouse! by Mitch Mosk
October 8, 2026<October 8, 2026 “I Don’t Wanna Leave You Behind”: Emma Ogier & Eden Joel Give Their Post-Breakup Friendship a Smoldering Anthem with “Rocksteady/HeavyMetal” by Mitch Mosk
October 7, 2026<October 7, 2026 “Pointless Intense Crushes”: So Faint Build an Entire Imaginary Romance on “Fully Slow,” Their Intoxicating Debut Single by Lily O'Delia
October 6, 2026<October 6, 2026 “Shipped You Off to Practice What We Preach”: Spanish Love Songs Put the American Promise on Trial with “Good American,” a Furious Rock Anthem Reclaiming Patriotism Through Solidarity by Mitch Mosk
October 2, 2026<October 2, 2026 Atwood Magazine’s Weekly Roundup: October 2, 2026 by Atwood Magazine Staff
September 30, 2026<September 30, 2026 “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower by Mitch Mosk
September 28, 2026<September 28, 2026 “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything by Mitch Mosk
September 25, 2026<September 28, 2026 Atwood Magazine’s Weekly Roundup: September 25, 2026 by Atwood Magazine Staff
September 25, 2026<September 25, 2026 “The Best Songs Fall Out of the Sky”: Americana Duo Marfa Are Giving Old-School Songcraft a Fresh, Modern Twist by Mitch Mosk
September 22, 2026<September 28, 2026 “You Have to Shoot from the Hip”: Brighton’s Hollow Hand Find Magic in the Everyday with “Here Are the Tulips,” a Broodingly Bright Alternative Rock Reverie by Mitch Mosk
September 11, 2026<September 11, 2026 Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! by Mitch Mosk
September 10, 2026<September 10, 2026 “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” by Mitch Mosk
September 9, 2026<September 9, 2026 “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony by Mitch Mosk
For the Love of Music
For the Love of Music
