May 8, 2026<May 8, 2026 Daniel Arison Turns Emotional Whiplash into Something Deeply Personal on “Sad” by Aileen Goos
May 7, 2026<May 7, 2026 “Taking Pictures I Can’t Wait to Show You”: Zach Seabaugh Offers a Heartfelt Ballad of Love, Distance, & Devotion with “I Am Only Ever Thinking About You” by Ashley Littlefield
May 6, 2026<May 6, 2026 “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ by Mitch Mosk
May 5, 2026<May 5, 2026 “You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret by Mitch Mosk
May 4, 2026<May 4, 2026 “I Feel Freed”: Hackney’s Pierre Da Silva Surrenders to Temptation on “Taboo,” a Smoldering, Soul-Soaked Seduction by Mitch Mosk
May 1, 2026<May 6, 2026 “My Limerence Just Fell on You”: People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie by Mitch Mosk
April 30, 2026<April 30, 2026 “We Brought Out the Weight”: Ok Goodnight Roar Through Betrayal, Forgiveness, & Creative Rebirth on “22,” a Feverish Hard Rock Reckoning by Mitch Mosk
April 29, 2026<April 29, 2026 “Layin’ It Bare”: The Temper Trap on Transforming Grief into a Soaring New Life in “Giving Up Air” & Fourth Album ‘Sungazer’ by Mitch Mosk
April 27, 2026<April 27, 2026 “Towards The Sun in the Night or Day”: Meltt Shimmer a New Reality into Being with “Up All Night,” a Mesmerizing Single That Shines a Light on Anticipation by Ashley Littlefield
April 25, 2026<April 25, 2026 “I Made Something Beautiful Out of That Pain”: Liya Shapiro Turns Heartache into Catharsis on “Another Woman” by Joe Beer
April 24, 2026<April 24, 2026 “What You Hear Is What Was Played”: Any Young Mechanic Are Bringing Raw, Beautifully Human Imperfections Back to Modern Folk Music by Mitch Mosk
April 23, 2026<April 23, 2026 Today’s Song: Curls Ultra’s “Vegas (Mandalay Bay)” Is More Than Love and Yearning by Annaliese Baker
April 22, 2026<April 22, 2026 “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner by Mitch Mosk
April 20, 2026<April 20, 2026 “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown by Mitch Mosk
April 19, 2026<April 18, 2026 “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song by Mitch Mosk
For the Love of Music
For the Love of Music
