October 8, 2026<October 8, 2026 “I Don’t Wanna Leave You Behind”: Emma Ogier & Eden Joel Give Their Post-Breakup Friendship a Smoldering Anthem with “Rocksteady/HeavyMetal” by Mitch Mosk
October 7, 2026<October 7, 2026 “Pointless Intense Crushes”: So Faint Build an Entire Imaginary Romance on “Fully Slow,” Their Intoxicating Debut Single by Lily O'Delia
October 6, 2026<October 6, 2026 “Shipped You Off to Practice What We Preach”: Spanish Love Songs Put the American Promise on Trial with “Good American,” a Furious Rock Anthem Reclaiming Patriotism Through Solidarity by Mitch Mosk
September 30, 2026<September 30, 2026 “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower by Mitch Mosk
September 28, 2026<September 28, 2026 “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything by Mitch Mosk
September 25, 2026<September 25, 2026 “The Best Songs Fall Out of the Sky”: Americana Duo Marfa Are Giving Old-School Songcraft a Fresh, Modern Twist by Mitch Mosk
September 22, 2026<September 28, 2026 “You Have to Shoot from the Hip”: Brighton’s Hollow Hand Find Magic in the Everyday with “Here Are the Tulips,” a Broodingly Bright Alternative Rock Reverie by Mitch Mosk
September 10, 2026<September 10, 2026 “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” by Mitch Mosk
September 9, 2026<September 9, 2026 “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony by Mitch Mosk
September 8, 2026<September 7, 2026 “Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock by Mitch Mosk
September 7, 2026<September 6, 2026 “Got Myself My Mojo Back”: Oh Pray Tell Summon Protection and Ancestral Memory on “Poor Black Woman Blues” by Lily O'Delia
September 6, 2026<September 6, 2026 OLIWIA MOON Blurs the Line Between Sleep and Reality on “Lucid Dream” by Joe Beer
September 5, 2026<September 5, 2026 The Moment Before Impact: Bird Maps the Wreckage of a Relationship on “The Car” by Lily O'Delia
September 3, 2026<September 3, 2026 “I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance by Mitch Mosk
September 2, 2026<September 2, 2026 “Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth by Mitch Mosk
For the Love of Music
For the Love of Music
