HEADLINES
Editor's Picks
Editor's Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace!
The best new music, curated by Atwood's Editor-in-Chief! Read More2026 New Music Releases & Upcoming Albums
Check back here for our up-to-date calendar of the albums, EPs, mixtapes, & projects we're anticipating and excited about in 2026! Dive in!THE BEST OF 2025
Atwood's Artists to Watch in 2025!
ATWOOD MAGAZINE'S 2025 ARTISTS TO WATCH
get to know the 50+ artists on our radar this year! Read the full feature!50 YEARS OF HIP-HOP
Atwood Magazine’s staff celebrates hip-hop's 50th anniversary with a special feature and accompanying playlist diving deep into its music, its history, and its indelible impact on culture. Check it out!Recent Articles
Live Review: Inside Lizzy McAlpine’s Unforgettable, Intimate ‘Angel’ Show
byLizzy McAlpine’s intimate, phone-free ‘Angel’ show in Brooklyn was a warm hug and a thank you to the fans. Alongside the band and team who helped bring ‘Angel’ to life, McAlpine filled the room with the same hope, love and light that sits at the heart of the record. There was joy on stage, community in the crowd, and the kind of magic that can only happen when everyone in the room is fully present.
“It’s OK to Cry About the Color Green”: Chase Elodia Celebrates Friendship at Its Most Ridiculous on “Mushroom Trip,” a Lush Indie Folk Ode to the Real Ones
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“Holy Cow, This Is a Lot”: Milk St. Meet Life’s Chaos at Full Volume on ‘Good Grief,’ a Bruising, Combustible Eruption of Hardcore Soft Rock
byCelebrating the Music of 2024
Features
“Holy Cow, This Is a Lot”: Milk St. Meet Life’s Chaos at Full Volume on ‘Good Grief,’ a Bruising, Combustible Eruption of Hardcore Soft Rock
byNew England “hardcore soft rock” band Milk St. let everything come roaring out on ‘Good Grief,’ a bruising, combustible third album where folk punk intimacy, blown-out alternative rock, and full-throated catharsis collide with guilt, family fracture, self-doubt, and the messy work of growing into yourself. Loud, unguarded, darkly funny, and fiercely alive, it’s a record about what happens when “or whatever” stops being enough – and every ugly, complicated emotion finally gets turned all the way up.
