HEADLINES
“All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues
“If it stops being fun, what are we even doing?”: DELTONA Are Turning Country Music into One Big Tailgate with “Party’s in the Back”
“Where the Road Was Gonna Lead Us Two”: Paul McCartney and Ringo Starr Revisit Their Liverpool Roots on “Home to Us”
“How Does One Absent the Feeling?”: Sofia Wolfson’s “Obviously” Finds Whimsy & Ache in the Art of Moving On
“You Can Play Music, and People Just Fall in Love”: Sinca on Memory, Community, AI, and Staying Human in Electronic Music
Review: Japanese Breakfast Return to Their Roots at Kilby Block Party – and We’ve Never Been More Excited
“Please Calm Yo Bi*** A** Down”: Manasseh Sets His Boundaries Ablaze on “CBD,” a Smoldering Psych-Soul Diss Track ft. femdot.
Editor's Picks
Editor's Picks 153: Iron & Wine, ARCHIE, Young the Giant, Friko, People I've Met, & mildred!
The best new music, curated by Atwood's Editor-in-Chief! Read More2026 New Music Releases & Upcoming Albums
Check back here for our up-to-date calendar of the albums, EPs, mixtapes, & projects we're anticipating and excited about in 2026! Dive in!THE BEST OF 2025
Atwood's Artists to Watch in 2025!
ATWOOD MAGAZINE'S 2025 ARTISTS TO WATCH
get to know the 50+ artists on our radar this year! Read the full feature!
50 YEARS OF HIP-HOP
Atwood Magazine’s staff celebrates hip-hop's 50th anniversary with a special feature and accompanying playlist diving deep into its music, its history, and its indelible impact on culture. Check it out!Recent Articles
“All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues
byGroovy, smoky, and seductively soul-soaked, Ana Grosh’s confessional “Call Me Back” captures the brutal loneliness of an after-party comedown, aching for connection in the dreamy haze of late-night longing.
Celebrating the Music of 2024
Features
“I Have to Choose This”: Ber Lets the Good In on Her Radiant Debut Album ‘Good, Like It Should Be’
byKey changes, harmonica vests, saxophone solos, giddy love songs, hometown catharsis, and learning to let happiness stay – Ber opens up about the warm, country-kissed, singer/songwriter world of her radiant debut album, ‘Good, Like It Should Be.’
Atwood Magazine’s Weekly Roundup: May 15, 2026
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Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’
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“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie
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