8.6 March 17, 2023 March 17, 2023 Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves by Josh Weiner
8.3 February 20, 2023 February 20, 2023 Our Take: Oddisee Does the DC Rap Scene Proud on ‘To What End’ by Josh Weiner
7.1 January 10, 2023 January 10, 2023 Our Take: Brace Yourself for Jo-Jo & The Teeth’s High Octane Debut Album, ‘No More Good News’ by Dominic Kureen
8.6 January 4, 2023 January 5, 2023 Our Take: SZA Shines on Outstanding Sophomore Album ‘SOS’ by Josh Weiner
9.4 November 16, 2022 November 16, 2022 Our Take: Sudan Archives’ ‘Natural Brown Prom Queen’ Never Fails to Surprise by Sam Franzini
9.1 October 28, 2022 March 11, 2023 Our Take: Taylor Swift Stops Time with 10th Album ‘Midnights’ by Nic Nichols
10 October 24, 2022 October 24, 2022 The 1975’s ‘Being Funny in a Foreign Language’ Is a Softly Stunning Masterpiece by Mitch Mosk
8.3 October 12, 2022 October 12, 2022 Our Take: King Princess Proves She Deserves Her Crown with ‘Hold on Baby’ by Nic Nichols
9.1 September 13, 2022 September 12, 2022 Our Take: Tender, Intimate, & Warm, Laufey Wears Her Heart on Her Sleeve in ‘Everything I Know About Love’ by Isabella Le
9.3 August 15, 2022 August 15, 2022 Our Take: The Queen Bee Beyoncé Stings Again on the Dazzling ‘Renaissance’ by Josh Weiner
7.6 July 25, 2022 July 12, 2022 Our Take: Lupe Fiasco Goes Jazzy, Stays Provocative on ‘Drill Music in Zion’ by Josh Weiner
8 July 6, 2022 July 2, 2022 Our Take: Logic Quickly Cuts His Retirement Short with the Poppin’ ‘Vinyl Days’ by Josh Weiner
8.2 June 13, 2022 June 13, 2022 Our Take: Jillian Jacqueline Gives Us Our Sad Girl Summer with Debut ‘Honestly’ by Emily Frances Algar
7.5 May 27, 2022 May 27, 2022 Our Take: Warpaint Get Under Our Skin with ‘Radiate Like This’ by Ben Niesen
8.7 May 26, 2022 May 26, 2022 Our Take: Kendrick Lamar Emerges Gloriously from Hiatus on ‘Mr. Morale & the Big Steppers’ by Josh Weiner
For the Love of Music
For the Love of Music
