Our Take
Acoustics, Electropop & Inner Turmoil Add up to Leila Sunier’s Successful Debut EP ‘If Only to Bleed Out the White Noise’
Our Take: All Queue Up for the Party of the Year on Dua Lipa’s ‘Future Nostalgia’
Feature: Delacey Dives into Her Grungy, Emotional, Messy Debut Album ‘Black Coffee’
Review: An Atmospheric Trip to Brazil with Ricardo Richaid’s ‘Travesseiro Feliz’
Our Take: allie’s ‘Junior Coder’s Experiment’ EP Strives to See the Good in Existence
Track-by-Track: Inside addy’s Beautifully Haunting, Introspective Debut ‘Eclipse’
Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’
Sam Lee’s “Old Wow” Is Rooted in the Past, Yet Its Ecological Message Is Relevant and Tender
Rooted in Cinema & Satire, Caroline Rose’s ‘Superstar’ is a Brilliant Ode to Unbridled Ambition
Our Take: With ‘Father of All Motherfuckers’, the Middle-Aged Men of Green Day Prove They Are Still Young at Heart
Our Take: Soccer Mommy’s ‘Color Theory’ Explores Darkness in Three Colors
Our Take: otta’s ‘after it all blew over’ is a Smart & Captivating Debut EP
Our Take: Tame Impala Meditates House Music and Mindfulness on ‘The Slow Rush’
