January 15, 2022 January 14, 2022 Today’s Song: Daisy the Great’s Dreamy “Glitter” Sees the Beauty in Our Mess by Mitch Mosk
January 14, 2022 January 14, 2022 “Chops Don’t Sell Records”: A Conversation with the Delvon Lamarr Organ Trio by Ben Niesen
January 14, 2022 January 14, 2022 “Scared of Love”: Inside Linying’s Beautifully Intimate & Therapeutic Debut ‘There Could Be Wreckage Here’ by Mitch Mosk
January 14, 2022 January 15, 2022 “Love, Loss, & Rebirth”: Inside Emily Blue’s Enchanting ‘The Afterlove,’ an Album of Self-Love, Dance, and Reckoning by Mitch Mosk
January 14, 2022 January 14, 2022 Today’s Song: Erika Tham Ignites on Empowering & Seductive Second Single, “Shhh” by Mitch Mosk
January 14, 2022 January 15, 2022 Isolated In Space and Time: Tall Heights Release Third Full-Length Album ‘Juniors’ by Coco Rich
January 13, 2022 January 14, 2022 “Change, Pressure, & Release”: The Achingly Intimate Depths of morgxn’s ‘MERIDIAN: vol 2’ by Mitch Mosk
January 13, 2022 January 14, 2022 A Thesis of Heat: The Lumineers Dive into Hopeful & Cathartic 4th Album ‘BRIGHTSIDE’ by Kelly McCafferty
January 13, 2022 January 13, 2022 Today’s Song: San Fermin and The Districts Explore Emptiness with “Nothingness” by Nasim Elyasi
January 13, 2022 January 13, 2022 An Emotional Awakening : A Track-by-Track Review of Nightshifts’ ‘Stir’ by Joe Beer
January 13, 2022 January 13, 2022 “Chaotic, Hopeful, & Defiant”: Inside Sammy Rae & The Friends’ Smile-Inducing ‘Let’s Throw a Party’ EP by Mitch Mosk
January 12, 2022 January 12, 2022 Today’s Song: Long Beach’s Joshy Soul Gets His Funk On in Fresh Single “New Lover” by Mitch Mosk
January 12, 2022 January 12, 2022 Editor’s Picks 52: The Killers, Keir, Indoor Fins, FACESOUL, Oh Wonder, & fanclubwallet by Mitch Mosk
January 12, 2022 January 12, 2022 Premiere: Hollis Brown Honor The Rolling Stones’ Raw, Bluesy Jam “Don’tcha Bother Me” Ahead of ‘In the Aftermath’ Covers Album by Mitch Mosk
January 11, 2022 January 11, 2022 Review: Cy Dune Kicks 2022 Off Right with Raucous, Explosive Release “Against Face” by Mitch Mosk
For the Love of Music
For the Love of Music
