March 21, 2025<March 21, 2025 Editor’s Picks 115: Chappell Roan, Jo Hill, Joy Oladokun, Trousdale, MARIS, & The Ophelias! by Mitch Mosk
March 21, 2025<March 21, 2025 Today’s Song: Billie Marten Gently Lifts Us Up to Heights Unknown in “Feeling” by Noa Jamir
March 20, 2025<March 20, 2025 “Breakup & Run”: Anna Shoemaker on Heartache, Healing, and Choosing Herself on ‘Someone Should Stop Her’ by Mitch Mosk
March 20, 2025<March 20, 2025 “Community, Sisterhood, and Lessons Learned from Judy Collins”: An Essay by Oakland Rain for Women’s History Month by Guest Writer
March 20, 2025<March 20, 2025 “We Need You Karen”: Abe the Kid, Blkchrist, and drinkabir Balance Humor & Intensity on Their Collaborative Single by Ciaran Short
March 19, 2025<March 19, 2025 “From Darkness to the Spotlight: How Chronic Illness Transformed My Music & My Life”: An Essay by Eva James for Women’s History Month by Guest Writer
March 19, 2025<March 19, 2025 Today’s Song: Savanna Leigh Turns Heartache into Hope in “you don’t exist yet,” an Anthem for Anxious Romantics by Miranda Urbanczyk
March 18, 2025<March 18, 2025 Roundtable Discussion: A Review of Lady Gaga’s ‘MAYHEM’ by Atwood Magazine Staff
March 18, 2025<March 18, 2025 Today’s Song: Chappell Roan’s Sapphic Country Anthem “The Giver” Blends Her Wit, Charm, and Flirty Flair by Bárbara Martínez Campuzano
March 17, 2025<March 17, 2025 Today’s Song: HAIM’s “Relationships” Is a Breezy, Bold Return to Introspection and Groove by Danielle Holian
March 14, 2025<March 18, 2025 Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA! by Mitch Mosk
March 14, 2025<March 14, 2025 “H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month by Guest Writer
March 14, 2025<March 14, 2025 “I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth by Mitch Mosk
March 13, 2025<March 13, 2025 “We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’ by Mitch Mosk
For the Love of Music
For the Love of Music
