September 7, 2026<September 7, 2026 Editor’s Picks 166: Kareen Lomax, Oskar Haag, Gang of Youths, Babehoven, Cavetown, & Hannah Cole! by Mitch Mosk
September 7, 2026<September 6, 2026 “Got Myself My Mojo Back”: Oh Pray Tell Summon Protection and Ancestral Memory on “Poor Black Woman Blues” by Lily O'Delia
September 6, 2026<September 6, 2026 OLIWIA MOON Blurs the Line Between Sleep and Reality on “Lucid Dream” by Joe Beer
September 5, 2026<September 5, 2026 The Moment Before Impact: Bird Maps the Wreckage of a Relationship on “The Car” by Lily O'Delia
September 4, 2026<September 4, 2026 Atwood Magazine’s Weekly Roundup: September 4, 2026 by Atwood Magazine Staff
September 4, 2026<September 4, 2026 “It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms by Mitch Mosk
September 3, 2026<September 3, 2026 “I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance by Mitch Mosk
September 3, 2026<September 3, 2026 “I Want to Maintain That Softness”: Cautious Clay on ‘High Noon’ and the Value of Staying Open by Lily O'Delia
September 3, 2026<September 3, 2026 Roundtable Discussion: A Review of Olivia Rodrigo’s ‘you seem pretty sad for a girl so in love’ by Atwood Magazine Staff
September 2, 2026<September 2, 2026 “Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth by Mitch Mosk
10 September 2, 2026<September 2, 2026 “I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return by Mitch Mosk
September 2, 2026<September 2, 2026 “Let’s Trust Our Guts”: Brennan Wedl Exits the Supervoid on Her Grungy, Twangy Self-Titled LP by Kelsey Ferrell
September 2, 2026<September 2, 2026 “You Can Delete the Photos and Still Keep Making Space for Them”: Gabriel Dinero Confronts the Ghosts of Lost Love on “Apariciones” by Mitch Mosk
September 1, 2026<September 1, 2026 “Take the Roof Off and Sing Along”: Borderline Channel Collapse into Catharsis on “Watching It Burn,” an Arena-Sized Anthem of Ruin & Release by Mitch Mosk
For the Love of Music
For the Love of Music
