March 5, 2021 March 7, 2021 Interview: The Lumineers’ Jeremiah Fraites Presents His Solo Album ‘Piano Piano,’ Made from the Chicanes of Life by Ilana Kalish
March 5, 2021 March 5, 2021 Atwood Magazine’s Weekly Roundup: International Women’s Day 2021 by Staff
March 5, 2021 March 5, 2021 The Covasettes’ “Modern Rapunzel” Is an Ode to the Fading of a Modern Romance by Bethan Harper
March 5, 2021 March 5, 2021 This Just in: Eden Rain’s “Wake Up, You’re Stuck” Is a Soulful Debut Like No Other by Adrian Vargas
March 5, 2021 March 5, 2021 Interview: Charlotte Lawrence Bares All in Her Intimate & Breathtaking ‘Charlotte’ EP by Mitch Mosk
March 5, 2021 March 5, 2021 Interview: IAN SWEET’s Jilian Medford Finds Herself Again on ‘Show Me How You Disappear’ by Sophie Prettyman-Beauchamp
March 4, 2021 March 5, 2021 Editor’s Picks 46: Samm Henshaw, TEE, Hannah Jadagu, Jacob Banks, Kenneth Whalum, & McKinley Dixon by Mitch Mosk
March 4, 2021 March 4, 2021 Breaking the Record with Roan Yellowthorn, Part 52: “Vampire” by Guest Writer
March 4, 2021 March 4, 2021 Interview: Old Sea Brigade Captures Love’s Tender Weight in “Nothing Clever” Off New Album ‘Motivational Speaking’ by Mitch Mosk
March 4, 2021 March 3, 2021 Grey Reverend: The Fate of a Man Who Turned Jazz into Folk by Diego Morales
March 4, 2021 March 3, 2021 Slick N’ Stylish Andreww Explores Toxic Relationships in Genre-Bending, Eclectic “Medusa” by Hermione Kellow
10 March 3, 2021 March 3, 2021 “Real, Relatable, & Refreshing”: Jeauneil Dives into His Smoldering Debut EP ‘Dear Tomorrow’ by Mitch Mosk
March 3, 2021 March 3, 2021 Jesse Gold Honors His Trademark Sounds & Longtime Creative Allies on “We Good” by Josh Weiner
March 3, 2021 March 3, 2021 Interview: Moon Taxi Are Ready to Remember on Their Sixth Album, ‘Silver Dream’ by Madison Vettorino
March 3, 2021 March 3, 2021 Interview: ALITA Talks Single Inspiration, Mothering Men and Her Many Musical Talents by Chloe Robinson
For the Love of Music
For the Love of Music
