April 13, 2026<April 13, 2026 Avery Cochrane Is Singing Dispatches From a Dying Empire by Kelsey Ferrell
April 13, 2026<April 13, 2026 Cardinals & Saints: The Wonder Years Talk 10 Years of ‘No Closer to Heaven’ by James Crowley
April 13, 2026<April 13, 2026 Today’s Song: Blood Orange Sees the “Vivid Light” with a Moody, Seductive Sunset Reverie by Julia Dzurillay
April 12, 2026<April 11, 2026 “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie by Ashley Littlefield
April 11, 2026<April 11, 2026 “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” by Danielle Holian
April 10, 2026<April 10, 2026 Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! by Mitch Mosk
April 10, 2026<April 10, 2026 Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ by Atwood Magazine Staff
April 10, 2026<April 10, 2026 “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” by Yashavi Upasani
April 10, 2026<April 10, 2026 Atwood Magazine’s Weekly Roundup: April 10, 2026 by Atwood Magazine Staff
April 9, 2026<April 9, 2026 “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA by Marissa DeLeon
April 9, 2026<April 9, 2026 “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream by Mitch Mosk
April 8, 2026<April 8, 2026 Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers by Danielle Holian
April 8, 2026<April 8, 2026 Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation by Nicolle Knapová
April 7, 2026<April 9, 2026 “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose by Marissa DeLeon
For the Love of Music
For the Love of Music
