October 7, 2026<October 7, 2026 “Pointless Intense Crushes”: So Faint Build an Entire Imaginary Romance on “Fully Slow,” Their Intoxicating Debut Single by Lily O'Delia
October 7, 2026<October 7, 2026 “This Record Personally Feels Like a Reset Button”: Adam Rubenstein Reaches for What Still Connects Us on the Restless, Radiant ‘Firebreak’ and “Don’t Mean Much” ft. Vernon Reid by Mitch Mosk
October 6, 2026<October 6, 2026 A Planet Where Billionaires Reign: Leaving Graffiti’s Debut Single “Proud” Takes Aim At a Broken System by Chloe Robinson
October 6, 2026<October 6, 2026 “Shipped You Off to Practice What We Preach”: Spanish Love Songs Put the American Promise on Trial with “Good American,” a Furious Rock Anthem Reclaiming Patriotism Through Solidarity by Mitch Mosk
October 6, 2026<October 6, 2026 Taylor Swift Adds One More Act to the Show in ‘The Life of a Showgirl: The Encore’ by Danielle Holian
October 6, 2026<October 6, 2026 Album Review: Tinashe Knows What It Costs to Make Stardom Look Too Easy on ‘Popstar’ by Guest Writer
October 5, 2026<October 7, 2026 “I’m Right Where I Always Wanted to Be”: Ken Yates Makes Room for Every Shade of Life on ‘Total Cinema,’ a Vibrant Portrait of a Late Bloomer in Full Bloom by Mitch Mosk
October 2, 2026<October 5, 2026 “We Have to Face the Pain to Unlock Healing”: Jeff Darko Reveals His Soul on Daring Debut ‘Heavy Water Blues,’ a Spellbinding Vision of Psychedelic Gospel by Mitch Mosk
October 2, 2026<October 2, 2026 Atwood Magazine’s Weekly Roundup: October 2, 2026 by Atwood Magazine Staff
October 2, 2026<October 2, 2026 Interview: Dexter and the Moonrocks Let It All in on Debut Album ‘Friends That I Don’t Like’ by Emma Schoors
October 1, 2026<October 2, 2026 “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut by Mitch Mosk
October 1, 2026<October 1, 2026 Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” by Dusty Hayes
October 1, 2026<October 1, 2026 No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ by Nicolle Knapová
September 30, 2026<September 30, 2026 Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ by Aileen Goos
September 30, 2026<October 1, 2026 “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band by Annaliese Baker
For the Love of Music
For the Love of Music
