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Rachael Lawson © 2024

Columns, Music, Today's SongJuly 25, 2024<July 25, 2024

You’re “Pure Honey,” Baby: The Universal Sweetness of Rachael Lawson

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“Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut August 5, 2026
“Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism August 5, 2026
“The World Often Feels Loud Enough Already”: Brighton’s Memorial Find Power in Softness on ‘Jera,’ a Breathtakingly Beautiful Alt-Folk Triumph August 5, 2026
“I Feel Like There Are Infinite Possibilities in Music”: Ora Cogan Follows the Pull Toward Tenderness on ‘Hard Hearted Woman’ August 4, 2026
“Some Bridges Are Meant to Be Burned”: BAILEN Break Free with “SWIM!!!” – Roaring Back Fiercer, Freer, & on Their Own Terms August 4, 2026
“Re-Membering My Skin”: Bad Tiger Reawakens the Body on “Spin,” a Kaleidoscopic Rush of Rupture & Renewal August 4, 2026
In Memoriam: Glen Hansard, the Dublin Busker Who Made the World Feel Less Alone August 3, 2026
“Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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