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Taylor Berrett

Taylor Berrett

I'm a singer-songwriter with Warner Brothers Records returning to my first passion of writing, mostly to find out if my wife loves me enough to stick with me as I jump from low-success-rate career to low-success-rate career. @taylorberrett

The Beatles' Paul McCartney and John Lennon
Columns, Essays, Music, The Craft TableMarch 25, 2016<March 25, 2016

The Craft Table: Collaboration

Legendary American song composers Richard Rodgers and Lorenz Hart
Columns, Essays, Music, The Craft TableMarch 11, 2016<March 11, 2016

The Craft Table: The Myth of the Perfect Process

Message in a Bottle - Isolation and Art
Columns, Essays, Music, The Craft TableMarch 4, 2016<March 11, 2016

The Craft Table: Message in a Bottle – Isolation and Art

Gramophone © R. Halfpaap
Columns, Essays, Music, The Craft TableFebruary 25, 2016<July 27, 2024

The Craft Table: The Modern Music Industry and the Relationship Between Art and Business

Recent Posts

  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
  • “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month March 13, 2026
  • ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet March 13, 2026
  • “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles March 13, 2026
  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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