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Colin Miller

The Best Music of 2025, According to Our Favorite Artists!

Features, Lists, MusicJanuary 7, 2026<January 8, 2026

The Best Music of 2025, According to Our Favorite Artists!

by Atwood Magazine Staff

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Brand New

“You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge”
“Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home
“It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’
“If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album
“I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too
“Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It
“Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless”

:: discover something new ::

:: discover something new ::

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Recent Posts

“You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
“Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
“It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
“If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
“I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
“Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It January 27, 2026
“Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless” January 27, 2026
Essay: Front Row Salvation January 27, 2026
From School Corridors to Iconic Venues: Arkayla’s Takeover of Manchester’s Music Scene January 26, 2026
“The Right Touch of Vintage”: Brooklyn’s FORAGER Skewer Curated Cool & Empty Aesthetics on “Pomeranian,” a Shape-Shifting Indie Rock Fever Dream January 26, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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