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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Wish Queen © Tessa Smith
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2023<December 7, 2023

Track-by-Track: Wish Queen Crafts a Cathartic Dreamworld in ‘Saturnalia,’ Her Transformative Debut Album

Bush © Shervin Lainez
Columns, Music, Today's SongDecember 6, 2023<December 6, 2023

Today’s Song: Bush Unpack Impermanence & the Speed of Life in “Nowhere to Go But Everywhere”

Stephen Sanchez 'Angel Face' © Caity Krone
Debut, Features, Interviews, MusicDecember 6, 2023<December 11, 2023

“This record is all about love’s humanity”: Stephen Sanchez Is Making Hopeless Romance Cool Again With ‘Angel Face’

Emily Afton © 2023
Music, Music Videos, PremieresDecember 6, 2023<December 6, 2023

Video Premiere: Emily Afton’s “Running Out of Time” and the Brutality of Love

Tim Atlas © Paigge
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Cinematic, Percussive, & Heavy”: Tim Atlas Dives Headfirst into the Night With ‘Le Soir’ EP

Haux © Sayer Mansfield
Features, Interviews, MusicDecember 5, 2023<December 8, 2023

Interview: Haux Finds His Own “Carte Blanche” in an Embrace of Ethereal Joie de Vivre

Kirsten Ludwig © Kristina Dittmar
Features, Interviews, Music, Track-by-TrackDecember 5, 2023<December 5, 2023

“Expansive, Oscillatory, & Resplendent”: Kirsten Ludwig Basks in the Glow of ‘Sunbeam,’ Her Radiant Indie Pop Reverie

HUNNY BUZZ © 2023
Artist to Watch, Debut, Interviews, MusicDecember 5, 2023<December 12, 2023

Artist to Watch: The Buzz About Bristol’s HUNNY BUZZ, an Indie Pop Band With an Irresistible Sound

Daisy Grenade © Sabrina DiGeorge
Features, Interviews, Music, Track-by-TrackDecember 1, 2023<December 1, 2023

“Glittery, Gory, & Grungy”: Daisy Grenade’s ‘Cult Classic’ Is a Sparkling Pop Punk Explosion

pen pin © 2023
Columns, Music, Today's SongDecember 1, 2023<December 1, 2023

Palm Desert’s pen pin Dwell in Sun-Soaked Doldrums on “The Boredom”

Ethel © Victor Jacques Sebb
Columns, Music, Today's SongNovember 30, 2023<November 30, 2023

Today’s Song: Sparks Fly in Ethel’s Ethereal, Enchanting “Pixie Dust”

Blind Pilot © Fawn DeViney, 2023
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview: Blind Pilot’s Israel Nebeker Discusses Two New Albums in 2024

Will Knox & néomí "Christmas Song" © Liz Van Den Akker
Mistletones, Music, PremieresNovember 30, 2023<November 30, 2023

Premiere: Will Knox and néomí’s “Christmas Song” Aches With a Beautiful Sadness

Lily Seabird © Patrick Hintz
Artist to Watch, Music, Music Videos, PremieresNovember 29, 2023<November 29, 2023

Artist to Watch: Lily Seabird Aches With Cathartic Pain & Raw Melancholia in “Cavity”

two blinks, i love you © 2023
Columns, Music, Today's SongNovember 29, 2023<November 29, 2023

Today’s Song: The Scuzzy Seduction of two blinks, i love you’s “sentiment”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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