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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Charlie Lim © Rin Tachihara
Music, Music Videos, PremieresApril 3, 2026<April 3, 2026

“Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

Stephen Sanchez "Sweet Love" © 2026
Interviews, Music, Today's SongApril 3, 2026<April 3, 2026

“SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

Myra Lee "Magpie" © Laila Holmes
Debut, Interviews, Music, PremieresApril 2, 2026<April 2, 2026

“Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

MUNA "Dancing on the Wall" © Dean Bradshaw
Columns, Music, Today's SongApril 2, 2026<April 2, 2026

“I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

Atwood Magazine's 151st Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 1, 2026<April 2, 2026

Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

MEEK "Fabulous" © courtesy of the artist
Artist to Watch, Debut, Interviews, MusicApril 1, 2026<April 2, 2026

“I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem

Oliver Pinder "Such an Angel" © Lily Ajab
Interviews, Music, PremieresMarch 31, 2026<March 31, 2026

Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment

Babes in Canyon "Echo" © Rachel Bennett
Interviews, Music, Music Videos, PremieresMarch 31, 2026<April 2, 2026

“F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra

Fantastic Cat © Vivian Wang, Fikri Abdurakhman
Interviews, Music, Today's SongMarch 31, 2026<March 31, 2026

“Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry

Eliza Edens © Juliet Farmer
Interviews, Music, PremieresMarch 30, 2026<March 31, 2026

“Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

“Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph © Orchee Sorker
Features, Interviews, Music, Track-by-TrackMarch 27, 2026<March 27, 2026

“Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph

Palm Ghosts © Chad Crawford
Music, PremieresMarch 26, 2026<March 26, 2026

“Consecutive Thuds from Executive Thugs”: Nashville’s Palm Ghosts Confront Capitalism’s Grip with Indie Rock Urgency on “Walk Into Your New Life”

Bandits on the Run - Rough Magic © Regina Strayhorn, Audrey Kalm
Interviews, Music, PremieresMarch 26, 2026<March 26, 2026

“In the Silence There Is Truth”: Bandits on the Run Find Beauty in Letting Go on “Rough Magic,” a Dreamy Folk Reverie

Keni Titus 'AngelPink' © Victoria Davidoff
Interviews, Music, Today's SongMarch 26, 2026<March 26, 2026

“I don’t kiss and tell, I just kiss and sing”: Keni Titus Confronts Her Wandering Eyes on “hands to myself,” a Smoldering Indie Folk Confessional

Lennie Rayen © cleoemo
Debut, Interviews, Music, Music Videos, PremieresMarch 25, 2026<March 25, 2026

“I’m a Mess and You Like It”: Lennie Rayen Channels the Ache of Wanting More into a Smoldering Indie Pop Confession

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Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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