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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Julez and the Rollerz © Zach Adams
Interviews, Music, PremieresMay 11, 2026<May 11, 2026

“I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love”

Tiffany Stringer is The Lone Starlet © Ragan Henderson
Interviews, Music, Today's SongMay 11, 2026<May 11, 2026

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’

Atwood Magazine's 154th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 8, 2026<May 8, 2026

Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning!

The Head and the Heart
Debut, Features, Interviews, MusicMay 7, 2026<May 7, 2026

“It’s Like I Went from Black and White to Color”: The Head and The Heart on 15 Years of Harmony, Friendship, & Open Roads

Jon Bryant © Aamir Ullah
Interviews, Music, PremieresMay 7, 2026<May 7, 2026

“Take the Wheel. Take a Breath. Take Heart”: Jon Bryant and Rose Betts Shine on “Take Heart,” a Breathtaking Folk Reverie of Healing, Presence, & Brotherly Love

Mount St. Helen "Nineteen" © Finlay Yates
Interviews, Music, Today's SongMay 5, 2026<May 5, 2026

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret

Pierre Da Silva "Taboo" © Garreth Chan
Interviews, Music, Today's SongMay 4, 2026<May 4, 2026

“I Feel Freed”: Hackney’s Pierre Da Silva Surrenders to Temptation on “Taboo,” a Smoldering, Soul-Soaked Seduction

People I've Met (L-R: Moses Martin, Andrew Suster, and Orlando Wiltshire) © Mikayla LoBasso
Interviews, Music, Today's SongMay 1, 2026<May 6, 2026

“My Limerence Just Fell on You”: People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie

Walker Reinhardt © Andrew Foss
Interviews, Music, PremieresApril 30, 2026<April 30, 2026

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria

Rosenthal (Jeppe Kiel Revsbech) © Mads Nordvig Borup
Debut, Interviews, Music, PremieresApril 30, 2026<April 30, 2026

“The Morning Skies Are for You”: Rosenthal Transforms Lost Love into Light on “Luna,” a Glistening Reverie of Gratitude & Memory

Ok Goodnight © Zack Spencer
Interviews, Music, Today's SongApril 30, 2026<April 30, 2026

“We Brought Out the Weight”: Ok Goodnight Roar Through Betrayal, Forgiveness, & Creative Rebirth on “22,” a Feverish Hard Rock Reckoning

Annabelle Dinda © Lia Whitman
Debut, Features, Interviews, MusicApril 29, 2026<April 29, 2026

“God Forbid She Shows Emotion”: Annabelle Dinda Stakes Her Claim on ‘Some Things Never Leave,’ a Fearless Debut Album About Memory, Identity, & Emotional Residue

The Temper Trap © Alberto Zimmermann
Features, Interviews, Music, Today's SongApril 29, 2026<April 29, 2026

“Layin’ It Bare”: The Temper Trap on Transforming Grief into a Soaring New Life in “Giving Up Air” & Fourth Album ‘Sungazer’

Atwood Magazine's 153rd Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 27, 2026<April 27, 2026

Editor’s Picks 153: Iron & Wine, ARCHIE, Young the Giant, Friko, People I’ve Met, & mildred!

Any Young Mechanic © Nash Blight
Columns, Interviews, Music, Today's SongApril 24, 2026<April 24, 2026

“What You Hear Is What Was Played”: Any Young Mechanic Are Bringing Raw, Beautifully Human Imperfections Back to Modern Folk Music

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Recent Posts

  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
  • Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning! May 8, 2026
  • Atwood Magazine’s Weekly Roundup: May 8, 2026 May 8, 2026
  • Roundtable Discussion: A Review of BTS’ ‘ARIRANG’ May 8, 2026
  • “We’ve Been Alone in This Long Enough”: An Essay by Aubrie Sellers May 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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