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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gang of Youths © Cal McIntyre
Interviews, Music, Today's SongNovember 11, 2026<November 11, 2026

“There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility

Julia Logan © Olof Grind
Artist to Watch, Interviews, Music, PremieresNovember 11, 2026<November 11, 2026

“I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie

Tiny Habits © AJ Incammicia
Features, Interviews, MusicNovember 11, 2026<November 11, 2026

Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud

Erotic Secrets of Pompeii © 2026
Interviews, Music, Today's SongNovember 10, 2026<November 10, 2026

“The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance

TAURO © Sara Melvin
Interviews, Music, Today's SongNovember 9, 2026<November 9, 2026

“Why Stay in a Narrow Lane?”: Toronto’s TAURO Revel in the Sweet Sting of “Crüel to Be Distant,” a Lush, Soulful Indie Pop Reverie

Atwood Magazine's 171st Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 6, 2026<November 6, 2026

Editor’s Picks 171: Yonny, FRIEDA STAR, Rebounder, Jordan Joy, Coco Elise, & wave to earth!

harf. © Aram Aghababian
Interviews, Music, PremieresNovember 5, 2026<November 6, 2026

“We’re Still Staying True to Who We Are”: harf. Celebrates Growing Up at Your Own Pace on “Radio,” a Lush, Nostalgic ’70s Pop Reverie

Master Peace 'if i don’t love you, who will ?' © Miranda May
Features, Interviews, Music, Track-by-TrackNovember 5, 2026<November 5, 2026

He’s One of One: Master Peace Lets His Lover Boy Loose on ‘if i don’t love you, who will ?,’ an Irresistible, Heart-on-Sleeve Triumph

berm © Max Marcotte
Debut, Features, Music, Track-by-TrackNovember 5, 2026<November 5, 2026

“The Memories Flicker Back”: berm Find Beauty in Life’s Fleeting Moments on ‘highway through the trees,’ a Haunting Indie Folk Portrait of Love, Loss, & Gratitude

Bekah Bossard © 2026
Interviews, Music, Today's SongNovember 4, 2026<November 4, 2026

“I Don’t Want a Picket Fence”: Bekah Bossard Finds the Sweetness in Letting Go with “American Dream,” a Tender, Towering Indie Pop Anthem

Bone China © Korban Brooksbank
Artist to Watch, Debut, Music, ReviewsNovember 4, 2026<November 4, 2026

“Subconscious Exfoliation”: London’s Bone China Bare Their Souls on “Heaven Now,” a Blistering, Grunge-Soaked Debut

Asha Wells © Curtis Z. Austin
Music, ReviewsNovember 3, 2026<November 3, 2026

“Just to Write a Name in the Dust”: Asha Wells Honors the Love That Couldn’t Last on the Beautifully Spellbinding “Gift Horse”

Atwood Magazine's Editor's Picks 170!
Columns, Editor's Picks, Features, MusicOctober 31, 2026<October 31, 2026

Editor’s Picks 170: PASH, Matilda Mann, Evan Honer & Medium Build, Pamela., Stevie Bill, & The Hails!

total tommy © Billy Zammit
Features, Interviews, Music, Track-by-TrackOctober 30, 2026<October 30, 2026

“I’m Leaning Into the Off-Kilter”: total tommy Embraces Imperfection and Her Darker Side on ‘Trapezoid,’ a Blistering Indie Rock Portrait of Love, Chaos, & Self-Sabotage

Convinced Friend © Shawn Tabor
Features, Interviews, MusicOctober 29, 2026<October 29, 2026

“These Songs Have Been Lived In”: Convinced Friend Keeps a Disappearing Hometown Alive on ‘Nowhere Songs,’ a Spellbinding Ode to All We Leave Behind

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Recent Posts

  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
  • The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’ November 10, 2026
  • The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20 November 10, 2026
  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
  • “Shapeshifting Through the Voice”: Witness Nnux’s ‘Metamorfosis’ into a Master Electronic Composer November 9, 2026
  • “Why Stay in a Narrow Lane?”: Toronto’s TAURO Revel in the Sweet Sting of “Crüel to Be Distant,” a Lush, Soulful Indie Pop Reverie November 9, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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