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Ashley Escobar

Ashley Escobar

Ashley D. Escobar is a literary angel from San Francisco, residing in New York City. Eileen Myles selected her debut poetry collection GLIB (2025) as the Changes Book Prize winner. She is a high school dropout who graduated from Bennington College and holds an MFA in fiction from Columbia University. She is a proud outpatient at the teenage art ward.

Finn Wolfhard © Emilia Voudouris
Columns, Music, Today's SongSeptember 15, 2025<September 4, 2025

Today’s Song: Finn Wolfhard Goes Solo & Objects the Past in “Objection!”

Sharp Pins © 2025
Columns, Music, Today's SongJuly 11, 2025<July 11, 2025

Today’s Song: Sharp Pins Revolutionize Youth Through Their Jangly Anthem “I Can’t Stop”

Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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