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Atwood Magazine Staff

Atwood Magazine Staff

Atwood Magazine's Weekly Roundup | March 11, 2025
Columns, Features, Music, Weekly RoundupMarch 11, 2025<March 12, 2025

Atwood Magazine’s Weekly Roundup: March 11, 2025

Tate McRae © Charlie Denis
Features, Music, Reviews, RoundtableMarch 5, 2025<March 5, 2025

Roundtable Discussion: A Review of Tate McRae’s ‘So Close to What’

Atwood Magazine's 2025 Black History Month playlist!
Black History Month, Features, Music, PlaylistsFebruary 28, 2025<March 1, 2025

Celebrating Black Art & Artistry: Our 2025 Black History Month Soundtrack!

Atwood Magazine's Weekly Roundup | February 27, 2025
Columns, Features, Music, Weekly RoundupFebruary 28, 2025<March 3, 2025

Atwood Magazine’s Weekly Roundup: February 28, 2025

Atwood Magazine's Weekly Roundup | February 21, 2025
Columns, Features, Music, Weekly RoundupFebruary 21, 2025<February 21, 2025

Atwood Magazine’s Weekly Roundup: February 21, 2025

Hurry Up Tomorrow - The Weeknd album art
Features, Music, Reviews, RoundtableFebruary 20, 2025<February 20, 2025

Roundtable Discussion: A Review of The Weeknd’s ‘Hurry Up Tomorrow’

Our Favorite Love Songs of All Time | Valentine's Day 2025
Features, Music, PlaylistsFebruary 14, 2025<February 14, 2025

All You Need Is Love (Songs): Our 2025 Valentine’s Day Soundtrack!

Atwood Magazine's Weekly Roundup | February 11, 2025
Columns, Features, Music, Weekly RoundupFebruary 11, 2025<February 11, 2025

Atwood Magazine’s Weekly Roundup: February 11, 2025

Atwood Magazine's Weekly Roundup | February 5, 2025
Columns, Features, Music, Weekly RoundupFebruary 5, 2025<February 5, 2025

Atwood Magazine’s Weekly Roundup: February 5, 2025

Atwood Magazine's 2025 Artists to Watch
Artist to Watch, Features, Lists, MusicFebruary 5, 2025<February 5, 2025

Atwood Magazine’s 2025 Artists to Watch

Atwood Magazine's Weekly Roundup | January 28, 2025
Columns, Features, Music, Weekly RoundupJanuary 28, 2025<January 29, 2025

Atwood Magazine’s Weekly Roundup: January 28, 2025

Atwood Magazine's Best Concerts of 2024
Concerts, Features, Lists, MusicJanuary 24, 2025<January 24, 2025

Atwood Magazine’s Best Concerts of 2024!

Suki Waterhouse © Jeremy Soma
Features, Reviews, RoundtableJanuary 15, 2025<January 15, 2025

Roundtable Discussion: A Review of Suki Waterhouse’s ‘Memoir of a Sparklemuffin’

Atwood Magazine's Top Artist Discoveries of 2024
Features, Lists, MusicJanuary 8, 2025<January 8, 2025

Atwood Magazine’s Top Artist Discoveries of 2024

The Best EPs of 2024!
Features, Lists, MusicJanuary 6, 2025<January 7, 2025

The 25 Best EPs of 2024

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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