September 3, 2026<September 3, 2026 Roundtable Discussion: A Review of Olivia Rodrigo’s ‘you seem pretty sad for a girl so in love’ by Atwood Magazine Staff
10 September 2, 2026<September 2, 2026 “I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return by Mitch Mosk
September 2, 2026<September 2, 2026 “You Can Delete the Photos and Still Keep Making Space for Them”: Gabriel Dinero Confronts the Ghosts of Lost Love on “Apariciones” by Mitch Mosk
August 26, 2026<August 26, 2026 “Psych-Pop Soap Opera”: Radar Gold Reimagine the Psychedelic Scene on Their Sophomore LP ‘Fortune Teller’ by Dusty Hayes
August 25, 2026<August 25, 2026 “Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph by Mitch Mosk
August 25, 2026<August 25, 2026 “Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” by Mitch Mosk
August 21, 2026<August 21, 2026 Sturgill Simpson: The Outlaw Who Outlawed Himself by Charlie Recksieck
August 18, 2026<August 18, 2026 Inside Phoebe Bridgers’ Dazzling ‘Lost Weekend’ Planetarium Experience by Jake Fewx
August 14, 2026<August 14, 2026 “We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album by Guest Writer
August 14, 2026<August 14, 2026 “I can’t see any stars in the sky”: Phoebe Bridgers Comes Back to Earth on ‘Lost Weekend’ by Jack Batt
8.1 August 7, 2026<August 7, 2026 Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ by Guest Writer
7.4 August 7, 2026<August 7, 2026 Our Take: Ariana Grande Shares Feral Thoughts with Fans & Flames on Eighth Album, ‘Petal’ by Josh Weiner
August 6, 2026<August 6, 2026 “I Know You’re Performing”: Charli xcx Explores How the Artist Is Seen in ‘Music, Fashion, Film’ by Ashley Littlefield
July 31, 2026<July 31, 2026 Mad Cool Festival 2026: Ten Years of Music and World Community by Michael Greco
July 31, 2026<July 31, 2026 Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
