9 October 14, 2026<October 14, 2026 Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’ by Heleen Weber
October 12, 2026<October 12, 2026 “How Do We Make It Better?”: Eliza Hull Reckons with the Distance Inside Love on “Better,” a Soul-Stirring Slow-Burn of Doubt and Devotion by Mitch Mosk
October 9, 2026<October 8, 2026 “Art Is Purposeless If It Is Not Genuine”: Moon Walker Wants You to Feel the Dread of ‘WASTELAND COUNTRY’ by Jason Bauer
October 8, 2026<October 8, 2026 Festival Review: At Portola, the Music Leaves Little Room for Silence by Ankita Bhanot
October 8, 2026<October 8, 2026 Roundtable Discussion: A Review of Bleachers’ ‘everyone for ten minutes’ by Atwood Magazine Staff
October 6, 2026<October 6, 2026 A Planet Where Billionaires Reign: Leaving Graffiti’s Debut Single “Proud” Takes Aim At a Broken System by Chloe Robinson
October 6, 2026<October 6, 2026 Taylor Swift Adds One More Act to the Show in ‘The Life of a Showgirl: The Encore’ by Danielle Holian
October 6, 2026<October 6, 2026 Album Review: Tinashe Knows What It Costs to Make Stardom Look Too Easy on ‘Popstar’ by Guest Writer
October 1, 2026<October 1, 2026 Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” by Dusty Hayes
September 30, 2026<September 30, 2026 Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ by Aileen Goos
September 30, 2026<September 30, 2026 Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ by Atwood Magazine Staff
September 30, 2026<September 30, 2026 Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ by David Buyze
6.5 September 29, 2026<September 29, 2026 Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ by Julia Dzurillay
September 28, 2026<September 28, 2026 “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” by Mitch Mosk
September 24, 2026<September 24, 2026 Live Review: Inside Lizzy McAlpine’s Unforgettable, Intimate ‘Angel’ Show by Kelly McCafferty Dorogy
For the Love of Music
For the Love of Music
