November 4, 2026<November 4, 2026 “Subconscious Exfoliation”: London’s Bone China Bare Their Souls on “Heaven Now,” a Blistering, Grunge-Soaked Debut by Mitch Mosk
November 3, 2026<November 3, 2026 Live Review: Geese Play to the Living and the Dead at Hollywood Forever by Anu Sarode
November 3, 2026<November 3, 2026 “Just to Write a Name in the Dust”: Asha Wells Honors the Love That Couldn’t Last on the Beautifully Spellbinding “Gift Horse” by Mitch Mosk
October 29, 2026<October 29, 2026 King Gizzard & the Lizard Wizard Dive into a Brand New World of Beats & Synths on ‘Alien Metal’ by Adam Davidson
October 29, 2026<October 29, 2026 “It’s a Beautiful Night Somewhere”: U2’s “The Greatest Show on Earth” Is an Infinite Gesture of Hope by David Buyze
October 27, 2026<October 27, 2026 Live Review: Tokyo Tea Room Bring the Most Relaxing Concert to New York City’s Bowery Ballroom by Julia Dzurillay
October 20, 2026<October 20, 2026 Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” by Joe Beer
October 19, 2026<October 20, 2026 “Let’s Crawl into the Arms of Love”: Oh Wonder Face the Darkness Together on “Mad World,” a Heartfelt Anthem of Hope by Mitch Mosk
October 16, 2026<October 16, 2026 Roundtable Discussion: A Review of Madonna’s ‘CONFESSIONS II’ by Atwood Magazine Staff
October 15, 2026<October 15, 2026 Live Review: Laundry Day’s Shows Are Larger Than Life by Annaliese Baker
October 15, 2026<October 15, 2026 Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS by Julia Dzurillay
9 October 14, 2026<October 14, 2026 Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’ by Heleen Weber
October 12, 2026<October 12, 2026 “How Do We Make It Better?”: Eliza Hull Reckons with the Distance Inside Love on “Better,” a Soul-Stirring Slow-Burn of Doubt and Devotion by Mitch Mosk
October 9, 2026<October 8, 2026 “Art Is Purposeless If It Is Not Genuine”: Moon Walker Wants You to Feel the Dread of ‘WASTELAND COUNTRY’ by Jason Bauer
October 8, 2026<October 8, 2026 Festival Review: At Portola, the Music Leaves Little Room for Silence by Ankita Bhanot
For the Love of Music
For the Love of Music
