April 29, 2026<April 29, 2026 A Night with Audrey Hobert at Cherry Lane Theatre by Kelly McCafferty Dorogy
April 29, 2026<April 29, 2026 Roundtable Discussion: A Review of Hilary Duff’s ‘ luck… or something’ by Atwood Magazine Staff
April 24, 2026<April 26, 2026 “It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’ by Mitch Mosk
April 22, 2026<April 22, 2026 “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ by Dusty Hayes
April 20, 2026<April 20, 2026 Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told by Miranda Urbanczyk
April 16, 2026<April 16, 2026 “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye by Mitch Mosk
April 15, 2026<April 15, 2026 Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP by Danielle Holian
April 15, 2026<April 15, 2026 “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’ by Mitch Mosk
9.4 April 14, 2026<April 14, 2026 “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph by Mitch Mosk
April 10, 2026<April 10, 2026 Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ by Atwood Magazine Staff
April 8, 2026<April 8, 2026 Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers by Danielle Holian
April 6, 2026<April 6, 2026 Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ by Atwood Magazine Staff
April 6, 2026<April 6, 2026 Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld by Danielle Holian
For the Love of Music
For the Love of Music
