April 10, 2025<April 10, 2025 Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’ by Atwood Magazine Staff
April 9, 2025<April 9, 2025 Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC by Jamie Kahn
April 9, 2025<April 9, 2025 Live Review: Strange Froots and Hua Li 化力 Bring Big Magic to Small Moments at Taverne Tour by Oliver Crook
April 8, 2025<April 8, 2025 Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch by Ciaran Short
8.1 April 4, 2025<April 4, 2025 Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’ by Danielle Holian
April 4, 2025<April 4, 2025 Review: Florist Ruminate on Bigger Questions and Explore Their Duality on ‘Jellywish’ by Kevin Krein
April 2, 2025<April 2, 2025 Roundtable Discussion: A Review of Sam Fender’s ‘People Watching’ by Atwood Magazine Staff
March 31, 2025<March 31, 2025 One to One: Yoko Ono Shines in New Doc on Ono-Lennons in NYC by Aidan Moyer
March 31, 2025<March 31, 2025 Review: Ariana Grande Journeys Through Heartbreak and Healing in ‘Eternal Sunshine (Deluxe)’ & Short Film by Danielle Holian
March 28, 2025<March 28, 2025 Review: Lucy Dacus Is Learning ‘Forever Is a Feeling’ and Writing a Beautiful Tale As She Goes by Brianna Corrine
March 18, 2025<March 18, 2025 Roundtable Discussion: A Review of Lady Gaga’s ‘MAYHEM’ by Atwood Magazine Staff
March 13, 2025<March 13, 2025 Review: Horsegirl Sing for You on “Phonetics On and On” by Juls Patterson
March 12, 2025<March 12, 2025 “I’ve been waiting for this day for a long time”: Masayoshi Takanaka Plays First U.S. Show in 40 Years by Max Kalnitz
For the Love of Music
For the Love of Music
