July 2, 2026<July 2, 2026 Roundtable Discussion: A Review of Melanie Martinez’s ‘HADES’ by Atwood Magazine Staff
8.9 July 1, 2026<July 1, 2026 Our Take: Bleachers Find Grace in Life’s Loudest and Quietest Moments in ‘everyone for ten minutes’ by Danielle Holian
8.4 June 30, 2026<June 30, 2026 Our Take: Genesis Owusu Offers Political Critique Through Unbridled Creativity on ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ by Jake Fewx
June 22, 2026<June 22, 2026 Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ by Michael Greco
June 22, 2026<June 22, 2026 Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together by Yashavi Upasani
June 16, 2026<June 16, 2026 Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ by Atwood Magazine Staff
9.4 June 16, 2026<June 16, 2026 Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ by Emily Weatherhead
7.9 June 15, 2026<June 15, 2026 Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ by Heleen Weber
June 11, 2026<June 11, 2026 Live Review: Slayyyter Cranks Governors Ball into a Campy, Gag-Worthy Pop Frenzy by Julia Dzurillay
June 9, 2026<June 9, 2026 Live Review: Lorde Returns to the Governors Ball Stage with Energy, Catharsis, & Hints of Her Next Era by Julia Dzurillay
June 9, 2026<June 9, 2026 Live Review: KATSEYE Return to the Stage With a Gnarly Governors Ball Performance – and Manon Still Isn’t There by Julia Dzurillay
June 7, 2026<June 7, 2026 “Surprise!”: Phoebe Bridgers Collapses Time at Madison Square Garden by Jack Batt
June 6, 2026<June 6, 2026 “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral by Mitch Mosk
June 3, 2026<June 3, 2026 “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ by James Crowley
June 2, 2026<June 2, 2026 ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist by Dusty Hayes
For the Love of Music
For the Love of Music
