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Bella Bromberg

Yuzuko DeGrottole strums in The Bristal’s courtyard © Bella Bromberg

Features, MusicFebruary 4, 2026<February 4, 2026

“Peaceful Death is Our Goal”: Music Therapy and Emotional Catharsis with Hospice Therapist Yuzuko DeGrottole

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“Pure Sporadic Emotion”: Ali Genevich’s untitled freak Debuts With Raw Intimacy and Unfiltered Self-Reckoning February 4, 2026
“Peaceful Death is Our Goal”: Music Therapy and Emotional Catharsis with Hospice Therapist Yuzuko DeGrottole February 4, 2026
Meet Anne-Marie Keane: Sailing Across the World and Ever True to Her Musical Craft February 4, 2026
Melanie Martinez’s “POSSESSION” Is a Candy-Coated Descent into HADES February 4, 2026
Feature: Nat & Alex Wolff on How They Built an Album from Their Love of Music and Each Other February 3, 2026
“I Hope You Settle Down, I Hope You Marry Rich”: Noah Kahan Bridges “The Great Divide” With a Raw Reckoning on Distance, Regret, & the Cost of Growing Apart February 3, 2026
Snail Mail’s “Dead End” Makes Heartbreak a Bit More Bearable February 3, 2026
“Don’t turn my death into a performance”: Indiana’s justbrandon on Legacy, Intention, & Living Honestly on “Bury Me on a Backroad” February 2, 2026
The Sacred and the Self: Sydney Ross Mitchell on Faith, Freedom, and Finding Her Voice With ‘Cynthia’ February 2, 2026
“I’m Finally Getting Clean”: mer marcum Finds Release Through Listening on “Body” (ft. Jia*), a Hushed, Slow-Burning Indie Folk Exhale February 2, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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