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Ciaran Short

Ciaran Short

Ciaran Short is an interdisciplinary artist, writer, and activist born and raised in NYC. His work explores New York culture and tackles issues of race and masculinity. His multifaceted creative practice stems from an interest in holistic storytelling using a multimedia approach. His writing has been featured in publications such as The Independent, Newsday, and Honeysuckle Magazine. He holds a masters degree in Media Studies from the New School and can typically be found hanging out in New York City’s Chinatown.

Speak Friend © Eden Chinn
Debut, Music, ReviewsAugust 7, 2025<August 7, 2025

Genre-Bending Duo Speak Friend Go on an Auditory Adventure with Debut EP ‘IAJAR’

ÅNGEL 004 © Eden Chinn
Concerts, Music, ReviewsApril 8, 2025<April 8, 2025

Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch

Abe the Kid, Blkchrist, & drinkabir "We Need You Karen" © 2025
Columns, Music, Today's SongMarch 20, 2025<March 20, 2025

“We Need You Karen”: Abe the Kid, Blkchrist, and drinkabir Balance Humor & Intensity on Their Collaborative Single

Spencer Katz © 2025
Interviews, Music, PhotographyFebruary 3, 2025<February 3, 2025

Seeing It All: Getting Behind the Lens With NYC Photographer Spencer “Bodega” Katz

Ciaran Short
Columns, Meet Our WritersSeptember 28, 2024<September 28, 2024

Meet Our Writers: New York’s Ciaran Short

Gosha Guppy "911 (Sex Through WhatsApp)" © Milo Hume
Interviews, Music, Music VideosSeptember 26, 2024<September 26, 2024

Musician Gosha Guppy & Filmmaker Milo Hume Join Forces to Create a Whimsical Rap Adventure About Courtship and Romance in the Age of Social Media

Dinho Dinho © Spencer Katz
Columns, Music, Today's SongAugust 3, 2024<August 3, 2024

Today’s Song: NYC Band DINHO DINHO Explores Independence & Heartbreak With New Single “Fool for Free”

Abe the Kid © 2024
Columns, Music, Today's SongJune 19, 2024<June 19, 2024

Abe the Kid & drinkabir Team Up to Consider Internal, Global Conflict in “WAR”

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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