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Ciaran Short

Ciaran Short

Ciaran Short is an interdisciplinary artist, writer, and activist born and raised in NYC. His work explores New York culture and tackles issues of race and masculinity. His multifaceted creative practice stems from an interest in holistic storytelling using a multimedia approach. His writing has been featured in publications such as The Independent, Newsday, and Honeysuckle Magazine. He holds a masters degree in Media Studies from the New School and can typically be found hanging out in New York City’s Chinatown.

Speak Friend © Eden Chinn
Debut, Music, ReviewsAugust 7, 2025<August 7, 2025

Genre-Bending Duo Speak Friend Go on an Auditory Adventure with Debut EP ‘IAJAR’

ÅNGEL 004 © Eden Chinn
Concerts, Music, ReviewsApril 8, 2025<April 8, 2025

Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch

Abe the Kid, Blkchrist, & drinkabir "We Need You Karen" © 2025
Columns, Music, Today's SongMarch 20, 2025<March 20, 2025

“We Need You Karen”: Abe the Kid, Blkchrist, and drinkabir Balance Humor & Intensity on Their Collaborative Single

Spencer Katz © 2025
Interviews, Music, PhotographyFebruary 3, 2025<February 3, 2025

Seeing It All: Getting Behind the Lens With NYC Photographer Spencer “Bodega” Katz

Ciaran Short
Columns, Meet Our WritersSeptember 28, 2024<September 28, 2024

Meet Our Writers: New York’s Ciaran Short

Gosha Guppy "911 (Sex Through WhatsApp)" © Milo Hume
Interviews, Music, Music VideosSeptember 26, 2024<September 26, 2024

Musician Gosha Guppy & Filmmaker Milo Hume Join Forces to Create a Whimsical Rap Adventure About Courtship and Romance in the Age of Social Media

Dinho Dinho © Spencer Katz
Columns, Music, Today's SongAugust 3, 2024<August 3, 2024

Today’s Song: NYC Band DINHO DINHO Explores Independence & Heartbreak With New Single “Fool for Free”

Abe the Kid © 2024
Columns, Music, Today's SongJune 19, 2024<June 19, 2024

Abe the Kid & drinkabir Team Up to Consider Internal, Global Conflict in “WAR”

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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