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Cristina

Cristina

Student by day, Atwood Interviewer at night. Briefly residing in the crazy streets of Manhattan where art, culture, music is around every block. I love to talk and meet new people. Normally, I'm the one asking a million questions during a conversation, wanting to get to know the other person on a deeper more intellectual level. I find human kind and our mind fascinating.

Features, Interviews, MusicDecember 17, 2014<December 31, 2014

A Conversation with Andy Bull

Art, Features, Interviews, PhotographyOctober 12, 2014<October 12, 2014

A conversation with Rina Dweck

Art, Features, InterviewsSeptember 21, 2014<September 21, 2014

A conversation with Gavin Worth

Features, Interviews, MusicAugust 27, 2014<August 26, 2014

A Conversation with Johnny Lewis

Features, Interviews, MusicJuly 29, 2014<July 29, 2014

A Conversation with People Get Ready

Features, MusicJune 23, 2014<June 24, 2014

A conversation with Wafia

Recent Posts

  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
  • “Shapeshifting Through the Voice”: Witness Nnux’s ‘Metamorfosis’ into a Master Electronic Composer November 9, 2026
  • “Why Stay in a Narrow Lane?”: Toronto’s TAURO Revel in the Sweet Sting of “Crüel to Be Distant,” a Lush, Soulful Indie Pop Reverie November 9, 2026
  • “Come On, Be My Sanctuary”: Runnan Finds Comfort in Company on “LONELY LONELY” November 8, 2026
  • Lucy Dacus Finds the Courage to Walk Away on “No Thank You, I Love You, Goodbye” November 7, 2026
  • Editor’s Picks 171: Yonny, FRIEDA STAR, Rebounder, Jordan Joy, Coco Elise, & wave to earth! November 6, 2026
  • ‘Future Nausea’: Spanish Love Songs and the Hell We’ve Made for Ourselves November 6, 2026
  • Atwood Magazine’s Weekly Roundup: November 6, 2026 November 6, 2026
  • “We’re Still Staying True to Who We Are”: harf. Celebrates Growing Up at Your Own Pace on “Radio,” a Lush, Nostalgic ’70s Pop Reverie November 5, 2026
  • Roundtable Discussion: A Review of Maya Hawke’s ‘MAITREYA CORSO’ November 5, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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