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Cristina

Cristina

Student by day, Atwood Interviewer at night. Briefly residing in the crazy streets of Manhattan where art, culture, music is around every block. I love to talk and meet new people. Normally, I'm the one asking a million questions during a conversation, wanting to get to know the other person on a deeper more intellectual level. I find human kind and our mind fascinating.

Features, Interviews, MusicDecember 17, 2014<December 31, 2014

A Conversation with Andy Bull

Art, Features, Interviews, PhotographyOctober 12, 2014<October 12, 2014

A conversation with Rina Dweck

Art, Features, InterviewsSeptember 21, 2014<September 21, 2014

A conversation with Gavin Worth

Features, Interviews, MusicAugust 27, 2014<August 26, 2014

A Conversation with Johnny Lewis

Features, Interviews, MusicJuly 29, 2014<July 29, 2014

A Conversation with People Get Ready

Features, MusicJune 23, 2014<June 24, 2014

A conversation with Wafia

Recent Posts

  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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