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Jaclyn Kelly

Jaclyn Kelly

Jaclyn is a client success professional based in Norway with a passion for finding new music, fantasy books, and freelance writing. In media, Jaclyn worked on the board at KAMP Student Radio and was a two time recipient of the Award of Excellence in Broadcast Professionalism and Leadership from Arizona Student Media. From Korean R&B to indie folk to classic 60s rock, Jaclyn loves to explore how music connects people to the world around them and see how it changes lives for the better. At Atwood, her goal is to help readers discover their next “can’t-skip-on-the-playlist” artist.

Jenny Owen Youngs © Josh Goleman
Features, Interviews, MusicApril 10, 2024<April 10, 2024

Interview: Hopeful & Full of Light, Jenny Owen Youngs Reflects on Her New Album ‘Avalanche’

Sara Fjeldvær © Sigrid Erdal
Features, Interviews, MusicMarch 12, 2024<March 12, 2024

Interview: Bright and Full of Inner Reflection, Sara Fjeldvær Lights a New Path on Sophomore Album ‘Stars’

Hannah Diamond, self-portrait © Carina Kehlet Schou
Columns, Music, Today's SongDecember 9, 2023<December 9, 2023

Today’s Song: Hannah Diamond Shimmers on Her Nostalgia-Soaked “Perfect Picture”

Recent Posts

  • “When Lies Are Popular, Telling the Truth Is a Revolutionary Act”: Ria Rua Channels Anger into Industrial Alt-Rock with Debut ‘S C A P E G.O.A.T.’ February 26, 2026
  • “A Brief Break in the Clouds”: Bad Tiger Finds Grace in Grief on “Do It Right,” a Clear-Eyed Folk Mantra February 26, 2026
  • “100 Years of Black History, A Lifetime of Musical Influence”: An Essay in Honor of Black History Month by SAVNT of Ghost Hounds February 26, 2026
  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Reviews
    • Our Take
    • Debuts
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  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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