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Jonah Evans

Jonah Evans

Jonah's writing is driven by curiosity and a love of storytelling whether it's in music, fiction, or personal narratives . His music reviews aim to illuminate the structure of sound and the motivation of the artists, which establishes the final product. He's always searching for new music, skimming the radio waves, going to live music events as much as possible, and excitedly accepting music recomendations from friends, family, and anyone who says, "Hey, you should check this out!" He resides in Philly and is originally from Ann Arbor, Michigan.

Chartreuse ‘Bless You & Be Well’ © Stewart Baxter
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Interview: Chartreuse Collectively Move Through Grief and Struggle in ‘Bless You & Be Well’

Smooth Jazz - Che Noir ft. The Other Guys, 37 Spesh
Columns, Music, Today's SongAugust 29, 2025<August 29, 2025

Today’s Song: Ché Noir and 38 Spesh Are Cashing in on Lessons with “Smooth Jazz”

Chase Petra © Syd Trip
Columns, Music, Today's SongJuly 10, 2025<July 10, 2025

Escaping Projected Identities, Denying Negativity, and Finding Your Soul on the Other Side in Chase Petra’s “Centrifugal Force”

Recent Posts

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  • “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” January 9, 2026
  • Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread January 8, 2026
  • “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” January 8, 2026
  • “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ January 7, 2026
  • Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music January 7, 2026
  • “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” January 7, 2026
  • The Best Music of 2025, According to Our Favorite Artists! January 7, 2026
  • Essay: Damn You, Music January 6, 2026
  • Learning to Witness Yourself: Annika Bennett on the Intimacy, Permission, and Surrender of ‘Triple Shooting Star’ January 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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