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Jonah Evans

Jonah Evans

Jonah's writing is driven by curiosity and a love of storytelling whether it's in music, fiction, or personal narratives . His music reviews aim to illuminate the structure of sound and the motivation of the artists, which establishes the final product. He's always searching for new music, skimming the radio waves, going to live music events as much as possible, and excitedly accepting music recomendations from friends, family, and anyone who says, "Hey, you should check this out!" He resides in Philly and is originally from Ann Arbor, Michigan.

Chartreuse ‘Bless You & Be Well’ © Stewart Baxter
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Interview: Chartreuse Collectively Move Through Grief and Struggle in ‘Bless You & Be Well’

Smooth Jazz - Che Noir ft. The Other Guys, 37 Spesh
Columns, Music, Today's SongAugust 29, 2025<August 29, 2025

Today’s Song: Ché Noir and 38 Spesh Are Cashing in on Lessons with “Smooth Jazz”

Chase Petra © Syd Trip
Columns, Music, Today's SongJuly 10, 2025<July 10, 2025

Escaping Projected Identities, Denying Negativity, and Finding Your Soul on the Other Side in Chase Petra’s “Centrifugal Force”

Recent Posts

  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
  • “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
  • “Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It January 27, 2026
  • “Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless” January 27, 2026
  • Essay: Front Row Salvation January 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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