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Melanie Lustig

Melanie Lustig

Melanie Lustig is a writer and teacher in New York City. In addition to encouraging middle schoolers to become the best readers and writers they can be, she has a degree in Arts Journalism from The Newhouse School at Syracuse University which has fueled her passion for writing about music, drama, and dance. She is an unapologetic lover of old music, but she is always up for something new to sing (or dance) along to!

Taylor Swift
Columns, Music, Today's SongJuly 29, 2019<August 17, 2019

Taylor Swift’s “The Archer” Is an Emotionally Self-Reflective Preview for ‘Lover’

Miley Cyrus
Columns, Music, Today's SongJuly 19, 2019<July 19, 2019

Today’s Song: Miley Cyrus’ “The Most” Is a Powerful Musical Story of Love and Vulnerability

Recent Posts

  • “As Long as We Keep Going Back to Each Other”: hey, nothing on Friendship, Burnout & Their Hard-Won Debut Album, ‘Hound’ October 15, 2026
  • Live Review: Laundry Day’s Shows Are Larger Than Life October 15, 2026
  • Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS October 15, 2026
  • “At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs October 15, 2026
  • “Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom October 15, 2026
  • “A Big Joyful Loud Mess”: Stella Dunai Finds the Courage to Connect on “Move on!” October 14, 2026
  • Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’ October 14, 2026
  • Baby Rose Turns Heartbreak into Self-Preservation on “Better,” a Soulful Reflection on Missing Someone While Still Choosing Yourself October 13, 2026
  • “Got Some Damage I Can Show Ya”: The Upsides Confront Adulthood’s Chaos Together on ‘In the Maze,’ a Roaring, Cathartic Indie Rock Reckoning October 13, 2026
  • “Every Step I Fall”: Antonio Miguel Areia Dances with Desperation on “Zugzwang,” a Seductive Debut of His ‘Evil Bossa’ Sound October 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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