• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Nasim Elyasi

Nasim Elyasi

Nasim is a San Francisco-based writer. She loves music, words, and being outside. You can find her on the couch watching “No Reservations” with her cats, or anywhere there is live music.

The Driver Era's Rocky and Ross Lynch © Will Wark
Features, Interviews, MusicApril 18, 2025<April 18, 2025

“Pursuing Purpose”: The Driver Era’s Rocky and Ross Lynch on Crafting ‘Obsession’ in the Digital Age

Franz Ferdinand 'The Human Fear' album art
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Identity, Instinct, and ‘The Human Fear’: A Conversation With Franz Ferdinand

The Voidz © Cheryl Georgette
Features, Interviews, MusicOctober 8, 2024<October 15, 2024

Interview: The Voidz Discuss Method & Madness on Their Latest Record, ‘Like All Before You’

Porches © Jason Al-Taan
Features, Interviews, MusicSeptember 25, 2024<September 5, 2025

“I have always been drawn to the in-between stuff”: Porches on His Supersaturated and Sonorous LP, ‘Shirt’

Still Woozy 'Loveseat' © Alex Kennedy
Features, Interviews, MusicJuly 2, 2024<September 5, 2025

“Maybe the music is the saving grace”: Still Woozy’s Sven Gamsky Gets Comfortable with ‘Loveseat’

Lake Street Dive © Shervin Lainez
Features, Interviews, MusicJune 27, 2024<June 29, 2024

Interview: Lake Street Dive Discuss the Joyful Rebellion of ‘Good Together,’ Their Spirited & Spontaneous Eighth Album

James Vincent McMorrow © Rich Gilligan
Features, Interviews, MusicJune 21, 2024<June 23, 2024

“Rebuilding myself as a human being”: James Vincent McMorrow Returns Home with ‘Wide open, horses’

Bombay Bicycle Club © Tom Oxley
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

Finding Freedom in Our Fantasies: An Interview With Bombay Bicycle Club

Runnner © India Coombs
Features, Interviews, MusicFebruary 21, 2024<February 21, 2024

When Words Fail: A Conversation with Runnner

Marika Hackman © Steve Gullick
Features, Interviews, MusicJanuary 22, 2024<September 5, 2025

Happy for a While: Marika Hackman on Her Provocative & Piercing Fourth Album ‘Big Sigh’

Indio Downey © Elizabeth Miranda
Features, Interviews, MusicNovember 20, 2023<January 24, 2024

Interview: Indio Downey Shares His Lust for Rock n’ Roll in “Dume” and Debut EP, ‘Cigarettes in Bed’

Briston Maroney © Muriel Margaret
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Interview: Briston Maroney on Life’s “Ultrapure” Moments

Palehound's El Kempner © Tonje Thilesen
Features, Interviews, MusicAugust 30, 2023<August 30, 2023

Keep Your ‘Eye on the Bat’: An Interview with Palehound’s El Kempner

The Japanese House © Jay Seba
Features, Interviews, MusicJuly 18, 2023<October 11, 2024

In the End It Always Does: A Conversation with The Japanese House

Blondshell © Nick Walker
Features, Interviews, MusicJune 22, 2023<January 30, 2024

Clawing Her Way Out: A Conversation With Blondshell

Posts pagination
1 2 3 4 5

Recent Posts

  • “Only Real Human Connection Will Save Us”: Valley Are Still Choosing Each Other as “Vending Machine” Kicks Open a Loud, Unapologetic, & Playful New Era July 17, 2026
  • “Inspiration and Curiosity”: Dirtwire Turn Global Sound into a Universal Language July 17, 2026
  • Atwood Magazine’s Weekly Roundup: July 17, 2026 July 17, 2026
  • “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” July 16, 2026
  • “Too Cool to Smile”: Otlo Dreams Bigger on His Heartfelt Album ‘A Boy Can Dream’ July 16, 2026
  • “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ July 16, 2026
  • “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ July 16, 2026
  • “I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself July 16, 2026
  • “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain July 15, 2026
  • Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame July 15, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services