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Nasim Elyasi

Nasim Elyasi

Nasim is a San Francisco-based writer. She loves music, words, and being outside. You can find her on the couch watching “No Reservations” with her cats, or anywhere there is live music.

Music, ReviewsFebruary 2, 2022<March 2, 2025

Review: Dijon’s ‘Absolutely’ Is a Force to Be Reckoned With

Father John Misty © Ward & Kweskin
Columns, Music, Today's SongJanuary 31, 2022<January 31, 2022

Today’s Song: “Funny Girl” Marks a New Golden Age for Father John Misty

Jelani Aryeh © Natasha Tilly
Columns, Music, Today's SongJanuary 27, 2022<January 30, 2024

Today’s Song: Jelani Aryeh Offers a Coming-of-Age for All Ages with “I’ve Got Some Living to Do”

San Fermin © 2021
Columns, Music, Today's SongJanuary 13, 2022<January 13, 2022

Today’s Song: San Fermin and The Districts Explore Emptiness with “Nothingness”

Hippo Campus © Tonje Thilesen
Columns, Music, Today's SongJanuary 10, 2022<January 7, 2022

Today’s Song: Hippo Campus Celebrate Rebirth with “Semi Pro”

doomsday - Lizzy McAlpine
Artist to Watch, Columns, Music, ReviewsNovember 19, 2021<November 19, 2021

Artist to Watch: Lizzy McAlpine Celebrates Death with “doomsday”

Typhoon © 2021
Columns, Music, Today's SongNovember 17, 2021<November 17, 2021

Today’s Song: Typhoon Takes Us Along on for the Ride with “Empire Builder”

Yebba © Ricky Alvarez
Music, Our Take, ReviewsOctober 13, 2021<January 30, 2024

Album Review: Yebba Graces Us with Debut Album Dawn

James Blake © Miles Johnston
Columns, Music, Today's SongSeptember 23, 2021<January 30, 2024

Today’s Song: James Blake Explores a Different Kind of Loss with “Life Is Not the Same”

Charlie Hickey x MUNA © Jannick Frampton
Columns, Music, Today's SongSeptember 14, 2021<September 14, 2021

Today’s Song: Charlie Hickey and MUNA Join Forces with “Seeing Things”

Features, Interviews, MusicSeptember 13, 2021<September 15, 2021

“The Ridiculousness of Feelings”: A Conversation with Sloppy Jane

Caroline Polachek © Aidan Zamiri
Columns, Music, Today's SongAugust 17, 2021<August 17, 2021

Today’s Song: Fasten Your Seatbelts, Caroline Polachek Returns with “Bunny Is a Rider”

Columns, Music, Today's SongAugust 4, 2021<January 30, 2024

See Love Flower and Fade with Tyler, the Creator’s “WILSHIRE”

Lucy Dacus © Ebru Yildiz
Music, ReviewsJuly 19, 2021<February 2, 2025

Review: Lucy Dacus Presents a Double Feature of Adolescence & Acceptance with ‘Home Video’

Hippo Campus © Brit O'Brien
Columns, Music, Today's SongJune 25, 2021<January 30, 2024

Today’s Song: Hippo Campus’ “Bad Dream Baby” Is a Vibrant Vision

Posts pagination
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Recent Posts

  • Editor’s Picks 159: Lucia & The Best Boys, Soft Loft, Martin Luke Brown, TAURO, Cassia, & Bekah Bossard! June 26, 2026
  • “A Long-Winded Love Song”: Post Sex Nachos Bring It Home With “All for You” June 26, 2026
  • Musical Mind-Reading: An Introduction to ‘t e l e p a t h テレパシー能力者’ June 26, 2026
  • “My New Sound Feels Like Home”: bodie Is an “Almost Famous” Alt-Pop Artist Looking to Finally Seal the Deal June 26, 2026
  • “I’d Probably Tell That Kid to Enjoy the Ride”: Charles Kelley and Richard Marx Cruise Down Memory Lane with “Driving and Listening to Music” June 26, 2026
  • “I Saw Your Face in Eternity”: Chris Wills & Revenge Wife Chase Love Across Lifetimes on “Love Live On,” a Spellbinding Ode to Devotion’s Everlasting Flame June 25, 2026
  • “Becoming Saint Micah”: A Pride Month Essay by Saint Micah June 25, 2026
  • Interview: Out of France’s Wine Region Comes molto morbidi, a Seasoned Artist Ready to Spin Her Sadness into Musical Gold June 25, 2026
  • “I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning June 24, 2026
  • “If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’ June 24, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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