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Nasim Elyasi

Nasim Elyasi

Nasim is a San Francisco-based writer. She loves music, words, and being outside. You can find her on the couch watching “No Reservations” with her cats, or anywhere there is live music.

Music, ReviewsFebruary 2, 2022<March 2, 2025

Review: Dijon’s ‘Absolutely’ Is a Force to Be Reckoned With

Father John Misty © Ward & Kweskin
Columns, Music, Today's SongJanuary 31, 2022<January 31, 2022

Today’s Song: “Funny Girl” Marks a New Golden Age for Father John Misty

Jelani Aryeh © Natasha Tilly
Columns, Music, Today's SongJanuary 27, 2022<January 30, 2024

Today’s Song: Jelani Aryeh Offers a Coming-of-Age for All Ages with “I’ve Got Some Living to Do”

San Fermin © 2021
Columns, Music, Today's SongJanuary 13, 2022<January 13, 2022

Today’s Song: San Fermin and The Districts Explore Emptiness with “Nothingness”

Hippo Campus © Tonje Thilesen
Columns, Music, Today's SongJanuary 10, 2022<January 7, 2022

Today’s Song: Hippo Campus Celebrate Rebirth with “Semi Pro”

doomsday - Lizzy McAlpine
Artist to Watch, Columns, Music, ReviewsNovember 19, 2021<November 19, 2021

Artist to Watch: Lizzy McAlpine Celebrates Death with “doomsday”

Typhoon © 2021
Columns, Music, Today's SongNovember 17, 2021<November 17, 2021

Today’s Song: Typhoon Takes Us Along on for the Ride with “Empire Builder”

Yebba © Ricky Alvarez
Music, Our Take, ReviewsOctober 13, 2021<January 30, 2024

Album Review: Yebba Graces Us with Debut Album Dawn

James Blake © Miles Johnston
Columns, Music, Today's SongSeptember 23, 2021<January 30, 2024

Today’s Song: James Blake Explores a Different Kind of Loss with “Life Is Not the Same”

Charlie Hickey x MUNA © Jannick Frampton
Columns, Music, Today's SongSeptember 14, 2021<September 14, 2021

Today’s Song: Charlie Hickey and MUNA Join Forces with “Seeing Things”

Features, Interviews, MusicSeptember 13, 2021<September 15, 2021

“The Ridiculousness of Feelings”: A Conversation with Sloppy Jane

Caroline Polachek © Aidan Zamiri
Columns, Music, Today's SongAugust 17, 2021<August 17, 2021

Today’s Song: Fasten Your Seatbelts, Caroline Polachek Returns with “Bunny Is a Rider”

Columns, Music, Today's SongAugust 4, 2021<January 30, 2024

See Love Flower and Fade with Tyler, the Creator’s “WILSHIRE”

Lucy Dacus © Ebru Yildiz
Music, ReviewsJuly 19, 2021<February 2, 2025

Review: Lucy Dacus Presents a Double Feature of Adolescence & Acceptance with ‘Home Video’

Hippo Campus © Brit O'Brien
Columns, Music, Today's SongJune 25, 2021<January 30, 2024

Today’s Song: Hippo Campus’ “Bad Dream Baby” Is a Vibrant Vision

Posts pagination
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Recent Posts

  • “Only Real Human Connection Will Save Us”: Valley Are Still Choosing Each Other as “Vending Machine” Kicks Open a Loud, Unapologetic, & Playful New Era July 17, 2026
  • “Inspiration and Curiosity”: Dirtwire Turn Global Sound into a Universal Language July 17, 2026
  • Atwood Magazine’s Weekly Roundup: July 17, 2026 July 17, 2026
  • “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” July 16, 2026
  • “Too Cool to Smile”: Otlo Dreams Bigger on His Heartfelt Album ‘A Boy Can Dream’ July 16, 2026
  • “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ July 16, 2026
  • “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ July 16, 2026
  • “I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself July 16, 2026
  • “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain July 15, 2026
  • Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame July 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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