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Noah Berghammer

Noah Berghammer

Noah Berghammer is a 24-year-old film director and writer who lives in the Lower East Side of Manhattan. He has worked with brands like Reza, JB3 Official, and Zara, and has been featured in Alternative Press Magazine, Nylon Magazine, and Rolling Stone Magazine, among others. Website: noahbergscreative.com

Rose Paradise "Tangerine" © Sofia Ziman
Columns, Interviews, Music, Today's SongJuly 27, 2024<July 26, 2024

Today’s Song: Rose Paradise Goes Back to Her Roots With “Tangerine” & Her Upcoming Debut Album

Simone © 2024
Columns, Music, Today's SongMay 20, 2024<May 20, 2024

Today’s Song: Simone Is an Old Soul, in Personality & Sound, in New Single “Linger”

She's Green © Nick Cai
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024

She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory

Telescreens © Kylie Bly
Music, Reviews, This Just InApril 15, 2024<April 15, 2024

“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers

Whitworth "World War" © Diana Hardage
Columns, Music, Today's SongApril 9, 2024<April 9, 2024

“Love is the motive”: Whitworth’s “World War” Is a Witty Indie Boy Banger

Cab Ellis © 2022
Columns, Music, Music You Should KnowMarch 4, 2024<March 11, 2024

Music You Should Know: Cab Ellis’ “The East Coast Hold On” Puts a Pep in Your Step, Intoxicating With a Sense of New York Wonder

dba James © Alec Ilstrup
Concerts, Editorials, MusicFebruary 22, 2024<February 23, 2024

dba James Is Doing Business As Usual

Sid Simons © Elliott Atkinson
Concerts, EditorialsDecember 20, 2023<February 23, 2024

Ladies and Gentlemen, Sid Simons Is “not singing for you”

Telescreens © Matt Weinberger
Concerts, Editorials, MusicSeptember 19, 2023<February 10, 2025

“Rock n’ Roll Lives in New York City”

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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