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Will Yarbrough

Will Yarbrough

Will Yarbrough lives outside Philadelphia. He's still waiting for Pavement to get back together. You can e-mail him at wyarbrough23@gmail.com or follow him on Twitter @willyarbrough15.

Total Wife © Sean Booz
Columns, Music, Today's SongNovember 11, 2025<November 11, 2025

Today’s Song: Total Wife Punch the Gas on “make it last”

Tucana "Spirit Bomb" © Joshua A. Fischer
Columns, Music, Today's SongOctober 31, 2025<October 30, 2025

Today’s Song: With “Spirit Bomb,” Tucana Are Prime to Blow Up

Fust "Mountain Language" © Charlie Boss
Columns, Today's SongOctober 27, 2025<October 27, 2025

Today’s Song: Fust Welcome Us into Their Home on “Mountain Language”

Flycatcher © Rebecca Lader
Debut, Features, Interviews, MusicOctober 23, 2025<October 23, 2025

Hold on Like a ‘Wrench’: How Flycatcher Tuned-Up By Letting Go

Boundary Waters © Victoria Marie
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Chicago’s Boundary Waters Find a New Way on ‘Longlost’

Why Bonnie 'Wish on the Bone' © Julia Khoroshilov
Features, Interviews, MusicSeptember 5, 2024<September 6, 2024

God Bless This Mess: Blair Howerton on Why Bonnie’s Hopeful New Album, ‘Wish on the Bone’

Broken Record © 2024
Columns, Music, Today's SongAugust 6, 2024<August 16, 2024

Today’s Song: Broken Record Go Through the “Ringer”

Shower Curtain © Juliette Boulay
Features, Interviews, MusicNovember 28, 2023<February 8, 2024

Around the Fur: A Conversation with Shower Curtain

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • 2025 Artists to Watch
  • Get Involved
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