Liner Notes

July 14, 2026<July 14, 2026

Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter

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Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter
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Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter July 14, 2026
“Where the Water Meets the Sky”: Anne-Claire Makes a Spellbinding Return on “River,” a Lush, Sweeping Portrait of Love and Longing July 14, 2026
“You Can Do Whatever You Want”: Ryann Ross on Her Debut EP ‘On the Marsh’ and the Songs You Can’t Recreate July 14, 2026
“I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” July 13, 2026
“There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
“The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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