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Telescreens © Matt Weinberger
Concerts, Editorials, MusicSeptember 19, 2023<September 19, 2023

“Rock n’ Roll Lives in New York City”

Sydney Sprague © Ellie Carty 2023
Columns, Music, Today's SongSeptember 14, 2023<September 14, 2023

Sydney Sprague’s “Smiley Face” and a Sprightly Stroll Through the Meadows of Feigned Emotions

Far Caspian self-portrait © Joel Johnston
Features, Interviews, MusicSeptember 12, 2023<September 12, 2023

Gibberish, Vulnerability, & Evolving Past People Pleasing: A Conversation with Far Caspian

Bruce Springsteen: Between What’s Flesh and What’s Fantasy © Aidan Moyer
Concerts, Music, ReviewsSeptember 11, 2023<September 11, 2023

Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ

Elle Baez © 2023
Editorials, MusicAugust 22, 2023<August 22, 2023

“A Fire That Won’t Die”: An Essay by Elle Baez

Lilla Sol © Gigi Jones
Features, Interviews, MusicAugust 18, 2023<August 20, 2023

“This is for expansion. It’s for transformation.” An Interview with Lilla Sol

Bantug © 2023
Editorials, MusicJuly 25, 2023<August 22, 2023

“Harmonizing Against the Odds”: An Essay by Bantug

Rumours - Fleetwood Mac
Music, ReviewsJuly 18, 2023<July 20, 2023

Fleetwood Mac’s ‘Rumours’: The Timeless Album Dominating the Sound of Summer

Daphne Gale © Deryne Photography
Music, ReviewsJuly 17, 2023<July 17, 2023

Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling

HeartSpaces - Christopher Henry
Interviews, Music, Premieres, ReviewsJuly 13, 2023<July 13, 2023

Singing to the Plants: Christopher Henry Discusses His Shamanic Gospel Album, ‘HeartSpaces’

Hanne Kah © 2023
Columns, Editorials, Music, Pride MonthJuly 10, 2023<July 10, 2023

“Why Role Models are Crucial in the Queer Community”: A Pride Month Essay by Hanne Kah

Flesh Eater © Mariana Souza
Columns, Editorials, Music, Pride MonthJune 29, 2023<June 16, 2023

“In Fostering Community, We Find Our Voice”: A Pride Month Essay by Flesh Eater’s Zwil AR

Mike Maimone
Columns, Editorials, Music, Pride MonthJune 28, 2023<June 16, 2023

“Pride and Privilege”: A Pride Month Essay by Mike Maimone

CLAY © Jamie-Lee B.
Columns, Editorials, Music, Pride MonthJune 27, 2023<June 15, 2023

“All My Friends Are Queer”: A Pride Month Essay by CLAY

Mike Taylor © Catie Laffoon
Columns, Editorials, Music, Pride MonthJune 26, 2023<June 15, 2023

“Pride Unconfined – Navigating Identity, Representation, and Liberation as a Queer Artist of Color”: A Essay by Mike Taylor

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Recent Posts

  • Interview with Phillip Phillips: “If you love someone, you’ve got to love them hard.” September 21, 2023
  • Today’s Song: Holly Humberstone’s “Into Your Room” and the Beautiful Brutality of Love September 21, 2023
  • Interview: Me Nd Adam Discuss Their Insightful New Album ‘American Drip, Pt. II’ September 21, 2023
  • Atta Boy’s “Walden Pond” Reminds Us of What We’ve Lost & Tells Us How to Get It Back September 21, 2023
  • Premiere: Maiah Wynne’s Smile-Inducing “Drive Me Mad” Is a Ray of Folk-Pop Sunshine September 21, 2023
  • Interview: Didirri’s ‘Caught in the Act’ Is a Debut Full of Feeling, Healing, Intimacy & Intent September 20, 2023
  • Today’s Song: NEWSKI’s Slacker Anthem “This Love Is a Fluke” Is a Wayward Ode to Self-Loathing & Loitering September 20, 2023
  • Interview: Natalie Wilson Searches for Meaning in Early Adulthood With Debut EP ‘Track Season’ September 20, 2023
  • Premiere: Albert Newton’s Cinematic & Dreamy “Fell Off” Is a Radiant Reckoning with Change Off Debut Album September 20, 2023
  • “It’s noisy, it’s loud, it’s in your face”: How Movements’ Patrick Miranda Tackled Mental Illness, Stayed True to Himself, & Learned to Embrace the ‘RUCKUS!’ September 20, 2023
© Atwood Magazine 2023 For the Love of Music
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