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Guest Writer

Guest Writer

Darren Hayman © Grant Wilkinson
Essays, MusicNovember 10, 2026<November 10, 2026

The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’

MLEKO © Charlie Smith
Debut, Features, Interviews, MusicOctober 29, 2026<October 29, 2026

“It Was All a Mistake… But We Liked It”: MLEKO on Happy Accidents, ‘The Feast of St. Perpetua,’ & the Beautiful Absurdity of “Gub Rock”

Avery Friedman © Dylan Friese-Greene
Essays, MusicOctober 27, 2026<October 27, 2026

Relishing in the Process: The Making of Avery Friedman’s “You Move”

Sunday Mourners © Marissa Briones
Debut, Features, Interviews, MusicOctober 19, 2026<October 19, 2026

“We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art

Chammeili © 2026
Debut, Features, Interviews, MusicOctober 16, 2026<October 16, 2026

“I Didn’t Realize I Could Just Be a Sandwich”: Chammeili on Imagination, Identity, and Releasing on Instinct

The Male Pattern © Andrew Piccone
Essays, MusicOctober 8, 2026<October 8, 2026

“Ugly and Weird: The Making of The Male Pattern’s ‘I Was Shot in the Heart!’”: An Essay by Will Schwartz

Tinashe is a popstar © Hugo Comte
Music, ReviewsOctober 6, 2026<October 6, 2026

Album Review: Tinashe Knows What It Costs to Make Stardom Look Too Easy on ‘Popstar’

Six Foot Blonde © Austen Eicher
Features, Interviews, MusicSeptember 25, 2026<September 25, 2026

A Murmuration of Their Own: Six Foot Blonde Take Flight on ‘Hummingbird,’ a Record Born from Trust, Nature, and a Collective Vision

Music Heals // Ginger Winn © Cole Thompson
Essays, MusicSeptember 4, 2026<September 4, 2026

“Music Heals”: An Essay by Matthew Baione

The Worst of Sailor Honeymoon - Sailor Honeymoon
Debut, Music, Reviews, Track-by-TrackAugust 14, 2026<August 14, 2026

“We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album

Kind Villain’s EV Frederick © Shawn Ray Photography
Essays, MusicAugust 13, 2026<August 13, 2026

“I Spent My Life Feeling ‘A Little Off’”: An Essay by Kind Villain’s EV Frederick

Really Good Time © Saoirse Johnston 8.1
Debut, Music, Our Take, ReviewsAugust 7, 2026<August 7, 2026

Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’

Craig Campbell's MALLRATS
Essays, MusicJuly 29, 2026<July 29, 2026

‘elements’: An Essay by MALLRATS’ Craig Campbell

Paige O © 2026
Columns, Liner Notes, MusicJuly 14, 2026<July 14, 2026

Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter

Matt Suave © Monica Lloyd
Music, Playlists, Pride MonthJuly 1, 2026<July 1, 2026

“Roots the House Down”: A Pride Month Playlist by Matt Suave

Posts pagination
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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