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Interviews, MusicJune 4, 2020<June 4, 2020

Interview: AIRPORTS Brings Us Chilled-Out Pop in Breezy Single “U FEEL IT 2”

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Atwood Magazine’s Weekly Roundup: May 3, 2024
“Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut
Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry
Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’
Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again”
“This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret
This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static”

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Recent Posts

Atwood Magazine’s Weekly Roundup: May 3, 2024 May 3, 2024
“Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut May 3, 2024
Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry May 3, 2024
Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ May 3, 2024
Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again” May 3, 2024
“This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret May 3, 2024
This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static” May 3, 2024
“I’ve been watching, catching fire”: Dehd’s Subtle, Restrained & Emotionally Complex “Alien” Gently Teases Fifth Album ‘Poetry’ May 2, 2024
‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life May 2, 2024
“Won’t you cut yourself some slack?”: Leslie Mendelson Cheers to “The Good Life” With a Gentle Song of Light and Love May 2, 2024

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