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Deerhoof music interview

Features, Interviews, MusicMay 29, 2020<May 29, 2020

‘Future Teenage Cave Artists’: An Interview with Deerhoof on the Merits of Fairytales in Post-Apocalyptica

by Ben Niesen

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Brand New

STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level
Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot
Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)”
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‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP

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Recent Posts

STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level May 8, 2024
Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot May 8, 2024
Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)” May 7, 2024
“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut May 7, 2024
“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy May 7, 2024
Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’ May 7, 2024
‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP May 6, 2024
“Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity May 6, 2024
Music & Cities: David Sylvian’s ‘Secrets of the Beehive’ from Syracuse to Montréal May 6, 2024
“A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’ May 6, 2024

© Atwood Magazine 2023 For the Love of Music

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