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Fake Dad

Fake Dad "ON/OFF" © Cassie Claire Howell

Interviews, MusicJanuary 16, 2025<January 16, 2025

Interview: Fake Dad Discuss Doomscrolling, Burnout, Posers, & Their Song “ON/OFF”

by Chloe Robinson

Atwood Magazine's Weekly Roundup | October 7, 2024

Columns, Features, Music, Weekly RoundupOctober 7, 2024<October 26, 2024

Atwood Magazine’s Weekly Roundup: October 7, 2024

by Atwood Magazine Staff

Atwood Magazine's Weekly Roundup | April 12, 2024

Columns, Features, Music, Weekly RoundupApril 12, 2024<April 17, 2024

Atwood Magazine’s Weekly Roundup: April 12, 2024

by Atwood Magazine Staff

Fake Dad © Austin Ciezcko

Interviews, MusicOctober 25, 2023<October 25, 2023

Interview: From Dramatic Moments to Memorable Sonics, Fake Dad Dish It All

by Chloe Robinson

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Brand New

Today’s Song: HAIM’s “Relationships” Is a Breezy, Bold Return to Introspection and Groove
Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA!
“H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month
“I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth
“We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’
Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’
“MASA: Make America Shameful Again – Why the Music Industry Needs Its Own Reckoning”: An Essay by Jessica Vaughn for Women’s History Month

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Recent Posts

Today’s Song: HAIM’s “Relationships” Is a Breezy, Bold Return to Introspection and Groove March 17, 2025
Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA! March 14, 2025
“H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month March 14, 2025
“I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth March 14, 2025
“We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’ March 13, 2025
Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’ March 13, 2025
“MASA: Make America Shameful Again – Why the Music Industry Needs Its Own Reckoning”: An Essay by Jessica Vaughn for Women’s History Month March 13, 2025
Review: Horsegirl Sing for You on “Phonetics On and On” March 13, 2025
“What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)” March 13, 2025
“I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale March 12, 2025

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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