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Aileen Goos

Aileen Goos

Aileen Goos is a journalist and lifelong music fan who loves telling the stories of the voices behind the songs. One of her fondest memories is listening to records on her grandparents’ old hi-fi, singing and dancing along to the skips and scratches of well-worn vinyl. She didn’t know it then, but those moments would lead her into the spotlight – auditioning for the Mini-Pops as a tween, landing a spot in a Canadian kids’ singing group with a spirited rendition of “Twinkle, Twinkle, Little Star,” and later becoming a runner-up in MuchMusic’s national VJ talent search fresh out of high school. When she’s not mapping out her next concert adventure, you’ll find her practicing Taiko drums or poring over lyrics that capture the heart and soul of a song.

Daniel Arison © Amy Lee
Columns, Interviews, Music, Today's SongMay 8, 2026<May 8, 2026

Daniel Arison Turns Emotional Whiplash into Something Deeply Personal on “Sad”

Brett Emmons Starts Fresh as John Shambles © Alexander Sworik
Debut, Features, Interviews, MusicMay 1, 2026<May 2, 2026

“I’m Gonna Keep on Throwing Curveballs”: Brett Emmons Starts Fresh as John Shambles on ‘Cabin Fever,’ His Most Honest, Unvarnished Work Yet

Hannah Hausman & Guthrie Galileo © Dillon Tanner
Interviews, MusicApril 14, 2026<April 14, 2026

“You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’

Brit Taylor © Sammy Hearn
Interviews, MusicApril 7, 2026<April 6, 2026

“I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’

MONSTA X 'Unfold' © 2026
Music, ReviewsApril 3, 2026<April 3, 2026

MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’

Maria Taylor © Liz Bretz
Interviews, MusicApril 1, 2026<April 2, 2026

“I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’

Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’
Interviews, Music, Track-by-TrackMarch 30, 2026<March 30, 2026

“I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

Troy Cartwright © Yve Assad
Interviews, MusicMarch 23, 2026<March 23, 2026

“There’s a point where it’s not up to you anymore”: Troy Cartwright Lets the Songs Take the Wheel on ‘Etc. All The Rest’

Tessa Rose Jackson © Bibian Bingen
Features, Interviews, MusicMarch 13, 2026<March 13, 2026

“You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’

Ritt Momney 'BASE' © Sam Angeletti
Interviews, MusicMarch 2, 2026<March 2, 2026

“I’ve Gotten Kind of Spiritual About Music”: How Ritt Momney Found His Musical Center on ‘BASE’

S C A P E G.O.A.T. - Ria Rua
Debut, Interviews, MusicFebruary 26, 2026<February 26, 2026

“When Lies Are Popular, Telling the Truth Is a Revolutionary Act”: Ria Rua Channels Anger into Industrial Alt-Rock with Debut ‘S C A P E G.O.A.T.’

Ásgeir 'Julia' © Einar Egils
Features, Interviews, MusicFebruary 18, 2026<February 18, 2026

“I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet

Lily Meola "Never Kissed a Cowboy" © Forrest Dein
Interviews, MusicJanuary 30, 2026<January 30, 2026

“All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy”

Arkayla 'DON'T LOOK FOR ANSWERS' © 2026
Interviews, MusicJanuary 26, 2026<January 26, 2026

From School Corridors to Iconic Venues: Arkayla’s Takeover of Manchester’s Music Scene

Fake Dad © Morganne Boulden
Interviews, Music, Today's SongJanuary 20, 2026<January 20, 2026

“Teenage me would be like, ‘This is sick!’”: Fake Dad Embrace the Weird on “Science Fiction” and a Breakout Year

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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