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The Griswolds Chris Whitehall

The Griswolds © 2020

Features, Interviews, MusicMarch 25, 2020<March 25, 2020

Interview with The Griswolds: Endless Opportunities of Fun and New Directions

by Maggie McHale

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“Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility
Today’s Song: The Fear of “Missing Out” Takes Center Stage on Maya Hawke’s New Single
Atwood Magazine’s Weekly Roundup: May 10, 2024
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“I wanted everything to sound like humans in a room”: Jordan Rakei Embraces the Journey of Life in Fifth Album ‘The Loop’
‘Blink Twice If You’re Okay’: FARR Invite Us into Their Blissful, Psychedelic Cocoon of Effortless Synergy With New EP

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Recent Posts

“Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility May 10, 2024
Today’s Song: The Fear of “Missing Out” Takes Center Stage on Maya Hawke’s New Single May 10, 2024
Atwood Magazine’s Weekly Roundup: May 10, 2024 May 10, 2024
“A blurry mess of love and jest”: Dreamer Boy’s Aching Heart Shines on ‘Lonestar,’ a Radiant Record of Romance & Reckoning May 10, 2024
“Call me when it’s all unraveling”: Jodie Nicholson Breaks Down Her Soul-Stirring Sophomore Album ‘Safe Hands’ May 10, 2024
“I wanted everything to sound like humans in a room”: Jordan Rakei Embraces the Journey of Life in Fifth Album ‘The Loop’ May 10, 2024
‘Blink Twice If You’re Okay’: FARR Invite Us into Their Blissful, Psychedelic Cocoon of Effortless Synergy With New EP May 10, 2024
“Moving in and out of the light of love”: Angus & Julia Stone Reflect on Life, Its Honest Truths, & Their Roots in ‘Cape Forestier’ May 10, 2024
“Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection May 9, 2024
Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’ May 9, 2024

© Atwood Magazine 2023 For the Love of Music

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