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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Jessica Audiffred © 2025
Interviews, MusicMarch 19, 2025<April 15, 2025

A Conversation with Jessica Audiffred: Making EDM-Pumped Waves on Both Sides of the Border

Kazy Lambist © 2025
Features, Interviews, MusicJanuary 14, 2025<January 14, 2025

Interview with Kazy Lambist: An Electro Master from Montpellier Spikes His Recipe With Mediterranean Seasoning

Portraits of Pirates © Bobby Rivero
Interviews, MusicDecember 10, 2024<December 10, 2024

Interview: Vince Cuneo Channels His Inner Buccaneer for New Solo Project, Portraits of Pirates

GNX - Kendrick Lamar 8.6
Music, ReviewsDecember 9, 2024<December 9, 2024

Our Take: Kendrick Lamar Reclaims the Rap Throne on the Dazzling ‘GNX’

Igmar Thomas © Dennis Manuel
Interviews, MusicDecember 4, 2024<December 5, 2024

Interview: Meet Igmar Thomas, Proud Music Director of the Revive Big Band & Many Major Acts As Well

From Zero - Linkin Park 8.1
Music, Our Take, ReviewsNovember 25, 2024<November 25, 2024

Our Take: A Revamped Linkin Park Start ‘From Zero’ and Finish With a Thrilling Comeback Album

George Brown
Interviews, MusicNovember 19, 2024<November 19, 2024

Interview: George “Funky” Brown of Kool & The Gang Achieves a Profound Posthumous Send-Off With ‘Where I’m Coming From’

Noise Cans © 2024
Interviews, MusicOctober 31, 2024<October 31, 2024

Interview: Meet Noise Cans, a Guy Rockin’ the Turntables and Donnin’ Gombey Masks

LL Cool J © Chris Parsons 8
Music, Our Take, ReviewsSeptember 25, 2024<September 24, 2024

Our Take: LL Cool J Cements Hip-Hop Legend Status With ‘THE FORCE’

Vertigo © Jude Aotik
Columns, Debut, Music, Today's SongAugust 25, 2024<August 27, 2024

Today’s Song: Aazar & Capozzi’s Vertigo Hope to Hit the Hearts of Music Fans With Debut Single ft. Makayla Phillips

Ice Spice 'Y2K!' © Coughs 7
Debut, Music, Our Take, ReviewsAugust 20, 2024<August 21, 2024

Our Take: Ice Spice Delivers an Energetic Sort-of-Full-Length Debut, ‘Y2K!’

Loup Barrow © Roddy Cunningham
Interviews, MusicAugust 19, 2024<August 19, 2024

Interview with Loup Barrow: An Inventive Percussionist Is Back From the French Coast With New LP ‘Immineo’ in Tow

Amor Muere © Natanael Guzmán
Debut, MusicAugust 14, 2024<August 14, 2024

Interview: ‘A Time to Live, A Time to Die,’ and a Time to Lend Amor Muere an Ear

Good Cop Bad Cop © 2024
Interviews, MusicJuly 24, 2024<July 24, 2024

Interview: Sheffield’s Joe Carnall Jnr Dials Up the Arctic Monkeys for Good Cop Bad Cop’s Sophomore LP ‘Welcome to the Marble Zone’

China Forbes © Sheri Diteman
Interviews, MusicJuly 18, 2024<July 11, 2024

Interview with China Forbes of Pink Martini: On ‘The Road’ Back to Solo Record-Making After 15 Years Away

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Recent Posts

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  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
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  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
  • “I Have an Amazon Rainforest of Emotions”: MARIS Is the Pop Star of Your Dreams August 20, 2026
  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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