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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Ariana Grande 'Eternal Sunshine' © Katia Temkin 8.5
Music, Our Take, ReviewsMarch 18, 2024<March 18, 2024

Our Take: Ariana Grande Stays Bright and Brilliant on ‘Eternal Sunshine,’ Her Intimate & Vulnerable 7th Album

Fer Franco © Concepción Huerta
Debut, Interviews, MusicFebruary 14, 2024<February 14, 2024

Interview with Fer Franco: An Innovative Guatemalan Composer Finally Claims His ‘Ritos de Paso’

Saviors - Green Day 7.7
Music, Our Take, ReviewsFebruary 6, 2024<February 6, 2024

Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’

Yolanda Be Cool
Columns, Interviews, Music, Today's SongJanuary 20, 2024<January 20, 2024

Meet Yolanda Be Cool, an Australian EDM Duo Donning SWEATRZ & Tooting “Hip Trumpets”

Keyon Harrold © Kwafu Alston
Features, Interviews, MusicJanuary 18, 2024<January 18, 2024

“Inspired by the Vibrations”: Keyon Harrold Creates Paradise on ‘Foreverland,’ a Triumphant Fusion of Jazz & Hip-Hop

Dama Blake © 2024
Columns, Debut, Music, Today's SongJanuary 13, 2024<January 13, 2024

Today’s Song: Jessica Harper’s Sinister Alter Ego Dama Blake Takes Full Flight on “Witch Hunt”

Boys Like Girls © Matty Vogel
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: Boys Like Girls Are Back With ‘Sunday at Foxwoods,’ and Martin Johnson Is Leading the Charge

Ratboys © Alexa Viscius
Interviews, MusicJanuary 8, 2024<January 8, 2024

Interview: Meet Ratboys, a Chicago Band Standing at ‘The Window’ of Opportunity

Pink Friday 2 - Nicki Minaj © Charlotte Rutherford 8.6
Music, Our Take, ReviewsDecember 19, 2023<December 19, 2023

Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’

Movie Club © Bobby Rivero
Interviews, MusicDecember 13, 2023<December 13, 2023

Interview: Meet Movie Club, a Venice Beach Duo Chomping Down Hard with New LP ‘Great White’

Neru Thee Fourth Fugee © Local Marquet
Interviews, MusicDecember 8, 2023<December 8, 2023

Interview: Neru Thee Fourth Fugee Is a Baltimore Native Looking to Make Her New Jersey Idols Proud

Rebecca Lappa © Lorraine Mortensen
Interviews, MusicDecember 4, 2023<December 4, 2023

Interview: Alberta Native Rebecca Lappa Transports Us to the Snowy North on ‘Tales of a Taurus’

Jauz © 2023
Interviews, MusicNovember 30, 2023<November 30, 2023

Interview with Jauz, a Part-Wise, Part-Wicked, All-Talented EDM Machine

Andre 3000 'New Blue Sun' © Kai Regan 8.2
Music, Our Take, ReviewsNovember 27, 2023<November 27, 2023

Our Take: A New André 3000 Era Dawns Splendidly on ‘New Blue Sun’

LØLØ © Walker Hutchinson
Columns, Interviews, Music, Today's SongNovember 23, 2023<November 23, 2023

Interview: LØLØ Plots Diabolical Revenge on “hot girls in hell”

Posts pagination
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Recent Posts

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
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  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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