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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sarah and the Sundays © Miles Ellisor
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025

“It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’

James Bay and Jon Batiste © David O'Donohue
Columns, Interviews, Music, Today's SongMarch 26, 2025<March 26, 2025

“You’re Like Sunshine in the Room”: James Bay & Jon Batiste Celebrate Love with Harmony, Heart, and Soul

Your Smith © Erica Hernandez
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

“A Little Underdressed and a Teeny Bit Sloppy”: Your Smith Returns with a ‘De-Invention’ on Her Own Terms

Atwood Magazine's 115th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 21, 2025<March 24, 2025

Editor’s Picks 115: Chappell Roan, Jo Hill, Joy Oladokun, Trousdale, MARIS, & The Ophelias!

Anna Shoemaker 'Someone Should Stop Her' © Shervin Lainez
Features, Interviews, MusicMarch 20, 2025<March 20, 2025

“Breakup & Run”: Anna Shoemaker on Heartache, Healing, and Choosing Herself on ‘Someone Should Stop Her’

Atwood Magazine's 114th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 14, 2025<March 18, 2025

Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA!

Soda Blonde © 2025
Columns, Interviews, Music, Today's SongMarch 14, 2025<March 25, 2025

“I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth

tryin to be born - Emile Mosseri
Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025

“We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’

Arcy Drive © 2025
Columns, Music, Today's SongMarch 13, 2025<March 13, 2025

“What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)”

emmersonHALL © Cole Yearwood
Columns, Music, Today's SongMarch 12, 2025<March 12, 2025

“I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale

Arny Margret © Gudmundur Kristinn Jonsson
Features, Interviews, Music, Track-by-TrackMarch 7, 2025<March 7, 2025

Track-by-Track: Arny Margret’s Intimate, Expansive, & Achingly Vulnerable Sophomore Album, ‘I Miss You, I Do’

Atwood Magazine's 113th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 7, 2025<March 7, 2025

Editor’s Picks 113: Soot Sprite, Black Country, New Road, Spacey Jane, Joan & the Giants, The Ting Tings, & Brandon!

Kristiane © Mallory Idoni
Music, Music Videos, PremieresMarch 7, 2025<March 7, 2025

Premiere: Kristiane Reckons with Restlessness, Reinvention, & Release in Her Cathartic Anthem, “Good & Ready”

Sam Himself © Stefan Tschumi
Music, PremieresMarch 6, 2025<March 6, 2025

Premiere: Sam Himself’s “Backstreets” Turns Homesickness into a Lush Anthem of Longing & Liberation

Holly Lovell © Shane Leonard
Debut, Features, Interviews, Music, Track-by-TrackMarch 6, 2025<March 6, 2025

Feature: Holly Lovell Channels Grief into Beauty on ‘Hello Chelsea,’ a Record of Addiction, Loss, & Healing

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