April 18, 2025<April 18, 2025 Feature: Trousdale’s Inner Light Shines on ‘Growing Pains,’ a Radiant Folk-Pop Record of Resilience, Renewal, & Harmony by Mitch Mosk
April 11, 2025<April 11, 2025 “Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender by Mitch Mosk
April 9, 2025<April 9, 2025 Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’ by Mitch Mosk
April 8, 2025<April 8, 2025 “Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’ by Mitch Mosk
March 27, 2025<March 27, 2025 “Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’ by Mitch Mosk
March 26, 2025<March 26, 2025 “I’m not trying to fit in anymore”: 80purppp Peels Back the Layers on ‘Suite 96 (Side A),’ a Record of Inner Reckoning, Surrealism, and Self-Discovery by Mitch Mosk
March 26, 2025<March 26, 2025 “It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’ by Mitch Mosk
March 13, 2025<March 13, 2025 “We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’ by Mitch Mosk
March 13, 2025<March 13, 2025 Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’ by Joe Beer
March 7, 2025<March 7, 2025 Track-by-Track: Arny Margret’s Intimate, Expansive, & Achingly Vulnerable Sophomore Album, ‘I Miss You, I Do’ by Mitch Mosk
March 6, 2025<March 6, 2025 Feature: Holly Lovell Channels Grief into Beauty on ‘Hello Chelsea,’ a Record of Addiction, Loss, & Healing by Mitch Mosk
March 6, 2025<March 6, 2025 ‘Stay with the Horses’: Alexander Biggs on Letting Go, Pushing Boundaries, & Finding Clarity on His Sophomore Album by Mitch Mosk
March 5, 2025<March 5, 2025 Lineage, Legacy, & Universal Language: NIJI Comes Home on ‘Oríkì,’ a Bold Journey Through Music, Identity, and Ancestry by Mitch Mosk
March 5, 2025<March 5, 2025 “I’m Not Preaching, I’m Just Talking”: Sam Fender’s ‘People Watching’ Is a Masterpiece of Reflection, Resilience, & Raw Humanity by Brianna Corrine
February 13, 2025<February 13, 2025 Track-by-Track: Magic Bronson Offer a Motivating Antidote With ‘Good Dogs’ by Joe Beer
For the Love of Music
For the Love of Music
