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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Bleach Lab © Alex Esden
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 27, 2025

“Holding Up the Whole Weight of the Sky”: Bleach Lab Unleash Fire & Fury on ‘Close to the Flame,’ a Devastating Dream Pop Reverie

Atwood Magazine's Weekly Roundup | August 22, 2025
Columns, Features, Music, Weekly RoundupAugust 22, 2025<August 25, 2025

Atwood Magazine’s Weekly Roundup: August 22, 2025

Louie Blue "In The Dark" © Julian Riikonen
Artist to Watch, Interviews, Music, PremieresAugust 21, 2025<August 22, 2025

“I Wanted to Make Music That Sounds Like Music Again”: Louie Blue Shines a Light “In the Dark” With a Bold Sound and Breathtaking DIY Style

Atwood Magazine's 131st Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 19, 2025<August 19, 2025

Editor’s Picks 131: The Tullamarines, Ellur, Nadia Kadek, Couch, runo plum, & Still Blank!

The Prickly Pair © Libby Danforth
Music, PremieresAugust 19, 2025<August 19, 2025

Premiere: The Prickly Pair Embrace Love’s Gamble on “Winsome Lose Some Game,” a Tender & Timeless Country Duet

ROREY © Ebru Yildiz
Music, Music Videos, PremieresAugust 14, 2025<August 14, 2025

“I Feel Too Much”: ROREY’s Cathartic & Dreamy “Wish I Was Numb” Is the Euphoric Soundtrack to Our Existential Crisis

Rosy Nolan © Jack Hackett
Music, PremieresAugust 13, 2025<August 13, 2025

Premiere: Rosy Nolan Stands Her Ground in “Rising Up,” a Gothic Country Tempest of Resistance & Resilience

Ruby Sparks © Camille Smura & Matt Blake
Music, Music Videos, PremieresAugust 13, 2025<August 13, 2025

Premiere: Ruby Sparks Embraces Peace and Love in “Pleasure,” a Jangle-Pop Song of Warmth, Vulnerability & Hard-Won Joy

Gina Zo © Hunter Carrico
Artist to Watch, Debut, Interviews, MusicAugust 13, 2025<August 13, 2025

“Messy, Beautiful, & Perfectly Imperfect”: Artist-to-Watch Gina Zo Crafts Empowering Crafts Empowering Songs You Can Dance To, Cry To, and Laugh To

Night Teacher © Alea Doronsky
Music, Music Videos, PremieresAugust 12, 2025<August 12, 2025

“In a Past Life I Was a Human Being”: Night Teacher Premieres a Spellbinding Reckoning with Home, Identity, & Transformation

Elijah Berlow © Matt Lohan
Columns, Music, Premieres, Today's SongAugust 8, 2025<August 8, 2025

Premiere: Elijah Berlow Captures the Ache of Unspoken Feelings on “impatient by the continental divide,” a Soft & Stirring Indie Folk Reverie

Atwood Magazine's 130th Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 6, 2025<August 6, 2025

Editor’s Picks 130: Olivia Dean, Ken Yates, Flock of Dimes, Angelsaur, Little Dog Star, & Glom!

Nectar Woode © Grace Pickering 2025
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 6, 2025

“It’s the feeling of finally being at peace with your identity”: Nectar Woode Comes Home to Herself on ‘it’s like I never left’

Odhran Murphy © Aoife Moloney
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 7, 2025

Chaos, Honesty, & the In-Between: Odhran Murphy Bares His Soul on Debut EP ‘Stuck in the Middle,’ a Folk Rock Journey of Self-Discovery and Reclamation

Jack Schneider © Annie Loughead
Music, PremieresAugust 5, 2025<August 5, 2025

Premiere: Jack Schneider’s “Stone’s Throw Away” Breathes Folk Warmth & New Life into an Early ’70s Barbara Keith Deep Cut

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Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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