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Nicolle Knapová

Nicolle Knapová

Nicolle Knapová is a Czech writer, music journalist, and creative powerhouse with a Master’s degree in Creative Writing and Publishing from Bournemouth University. Now a contributing writer for Atwood Magazine, she specializes in emotionally rich song reviews that explore the intersection of music, memory, and identity. When she’s not analyzing lyrics or crafting moody fiction, Nicolle can be found hunting for the perfect playlist, romanticizing rainy afternoons, or working on her debut novel under the pen name Elise Caverly.

Joelton Mayfield © Hunt Pennington
Debut, Features, Interviews, MusicDecember 1, 2025<December 2, 2025

Interview: Joelton Mayfield Opens Up About ‘Crowd Pleaser,’ a Testament to True Friendship & One Hell of a Genesis to Grief

Madilyn Mei 'A Thousand Songs About It All: Act 1' © Emily Minerowicz
Features, Interviews, MusicNovember 19, 2025<November 19, 2025

Madilyn Mei’s One-Man Circus: Queer Joy, Clown Costumes, & 1000 Songs About Everything

Paris Paloma "Good Boy" © Phoebe Fox
Features, Interviews, MusicNovember 5, 2025<November 7, 2025

A World on Fire and a Song to Match: Paris Paloma’s “Good Boy” Era Has Arrived

Indigo De Souza © Hannah Sommer
Features, Interviews, MusicOctober 29, 2025<October 29, 2025

“I’m less afraid to embody joy now”: Indigo De Souza Stares Down the Edge and Dives into Hope on ‘Precipice’

Anna Lynch © 2025
Debut, Interviews, MusicOctober 28, 2025<October 28, 2025

“Wake Up” & Bloom: Anna Lynch Is Writing Her Way Back to Herself

Alessi Rose © Sophie Scott
Music, ReviewsOctober 7, 2025<October 7, 2025

Review: Alessi Rose’s ‘Voyeur’ Is Confessional Pop at Its Most Dazzling

Dynamyte © Melanie Veronica
Columns, Interviews, Music, Today's SongOctober 6, 2025<October 6, 2025

From Behind the Drum Kit to Center Stage: Dynamyte Unleashes the Fear and Fire of “Probably”

Paris Paloma "Good Boy" © Phoebe Fox
Columns, Music, Today's SongSeptember 29, 2025<September 29, 2025

Paris Paloma’s “Good Boy” Is a Scorching Anti-Capitalist, Feminist Anthem for the Working Class

Lois © studio SODIUM
Interviews, Music, ReviewsSeptember 22, 2025<September 29, 2025

Interview: Lois Is Rewriting the Rules With ‘SEVEN’ – And We’re Listening

Sydney Rose © Sofia Valladares
Interviews, Music, Today's SongSeptember 17, 2025<September 18, 2025

When Letting Go Feels Like the Only Way to Survive: “I Stopped Trying” by Sydney Rose & Delaney Bailey

Sydney Rose © Sofia Valladares
Features, Interviews, MusicSeptember 4, 2025<September 4, 2025

“I Want to Be as Real and as Vulnerable as Possible”: Finding Peace in Simplicity with Sydney Rose

Maggie Lindemann 'i feel everything' © 2025
Features, Interviews, MusicAugust 29, 2025<August 29, 2025

“This Is a War Cry”: Maggie Lindemann on ‘i feel everything’ and Owning Her Chaos

Sydney Rose © Kate Stephenson
Columns, Music, Today's SongAugust 20, 2025<August 20, 2025

Sydney Rose Captures the Quiet Ache of Friendship Heartbreak in “We Hug Now”

Kaleah Lee © Halle Jean March
Interviews, MusicAugust 19, 2025<August 27, 2025

“A Line I Shouldn’t Cross”: Kaleah Lee Talks “Fever,” Dreams, and the Beauty of the Unsettling

Etta Marcus "Wolf River" © 2025
Columns, Music, Today's SongAugust 12, 2025<August 12, 2025

Today’s Song: Etta Marcus Honors Jeff Buckley’s Legacy in the Haunting “Wolf River”

Posts pagination
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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