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Andrew Lamson

Andrew Lamson

Dave 'The Boy Who Played the Harp' © Gabriel Moses
Music, ReviewsNovember 5, 2025<November 5, 2025

Dave’s ‘The Boy Who Played the Harp’ Dares You to Battle Anxieties Within Yourself & the World Around Us

BIG SPECIAL © Isaac Watson
Columns, Music, Today's SongAugust 21, 2025<August 21, 2025

Funky, Binding, & Pissed Off: “GOD SAVE THE PONY.” Finds BIG SPECIAL Turning Anger into Beauty

Gigi Perez © Caity Krone
Columns, Music, Today's SongJuly 29, 2025<July 29, 2025

Today’s Song: Gigi Perez’s “Twister” Is a Swirling Mystical Ballad Confronting New Worlds and Auto-Tune

DITZ © Pedro Takahashi
Columns, Music, Today's SongJuly 21, 2025<July 22, 2025

Ditz Build, Get Lost in, and Burn to the Ground an Emotion-Packed Atmosphere on “britney”

Recent Posts

  • Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread January 8, 2026
  • “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” January 8, 2026
  • “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ January 7, 2026
  • Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music January 7, 2026
  • “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” January 7, 2026
  • The Best Music of 2025, According to Our Favorite Artists! January 7, 2026
  • Essay: Damn You, Music January 6, 2026
  • Learning to Witness Yourself: Annika Bennett on the Intimacy, Permission, and Surrender of ‘Triple Shooting Star’ January 6, 2026
  • Essay: Roll Over Beethoven, Tell Tchaikovsky the News! January 6, 2026
  • “Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap” January 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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