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Atwood Magazine's Weekly Roundup | November 21, 2025
Columns, Features, Music, Weekly RoundupNovember 21, 2025<November 26, 2025

Atwood Magazine’s Weekly Roundup: November 21, 2025

Vie - Doja Cat
Features, Music, Reviews, RoundtableNovember 13, 2025<November 13, 2025

Roundtable Discussion: A Review of Doja Cat’s ‘Vie’

Atwood Magazine's Weekly Roundup | November 12, 2025
Columns, Features, Music, Weekly RoundupNovember 12, 2025<November 12, 2025

Atwood Magazine’s Weekly Roundup: November 12, 2025

Box Blonde © Aiden Weber
Interviews, Music, PremieresNovember 7, 2025<November 7, 2025

“It’s a loving goodbye”: Box Blonde Turns Heartbreak into High Art on “I Watch You Watch Her”

Florence and the Machine 'Everybody Scream'
Features, Music, Reviews, RoundtableNovember 6, 2025<November 6, 2025

Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’

Atwood Magazine's Weekly Roundup | November 3, 2025
Columns, Features, Music, Weekly RoundupNovember 3, 2025<November 4, 2025

Atwood Magazine’s Weekly Roundup: November 3, 2025

Not for Radio 'Melt' album art
Features, Music, Reviews, RoundtableOctober 31, 2025<October 31, 2025

Roundtable Discussion: A Review of Not for Radio’s ‘Melt’

Atwood Magazine's Weekly Roundup | October 15, 2025
Columns, Features, Music, Weekly RoundupOctober 16, 2025<October 20, 2025

Atwood Magazine’s Weekly Roundup: October 16, 2025

Taylor Swift ‘The Life of a Showgirl’ © Mert Alas & Marcus Piggott
Features, Music, Reviews, RoundtableOctober 9, 2025<October 9, 2025

Roundtable Discussion: A Review of Taylor Swift’s ‘The Life of a Showgirl’

Atwood Magazine's Weekly Roundup | October 8, 2025
Columns, Features, Music, Weekly RoundupOctober 8, 2025<October 9, 2025

Atwood Magazine’s Weekly Roundup: October 8, 2025

Atwood Magazine's Weekly Roundup | August 30, 2025
Columns, Features, Music, Weekly RoundupAugust 30, 2025<August 30, 2025

Atwood Magazine’s Weekly Roundup: August 30, 2025

Atwood Magazine's Weekly Roundup | August 13, 2025
Columns, Features, Music, Weekly RoundupAugust 13, 2025<August 13, 2025

Atwood Magazine’s Weekly Roundup: August 13, 2025

Atwood Magazine's Weekly Roundup | August 8, 2025
Columns, Features, Music, Weekly RoundupAugust 8, 2025<August 13, 2025

Atwood Magazine’s Weekly Roundup: August 8, 2025

Djo 'The Crux' album art
Features, Music, Reviews, RoundtableAugust 1, 2025<August 1, 2025

Roundtable Discussion: A Review of Djo’s ‘The Crux’

Atwood Magazine's Weekly Roundup | July 25, 2025
Columns, Features, Music, Weekly RoundupJuly 25, 2025<August 4, 2025

Atwood Magazine’s Weekly Roundup: July 25, 2025

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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