Columns, Features, Music, Weekly RoundupJanuary 9, 2026<January 9, 2026 Atwood Magazine’s Weekly Roundup: January 9, 2026
Features, Lists, MusicJanuary 7, 2026<January 8, 2026 The Best Music of 2025, According to Our Favorite Artists!
Features, Interviews, Lists, Mistletones, MusicDecember 22, 2025<December 25, 2025 Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
Features, Interviews, Lists, Mistletones, MusicDecember 19, 2025<December 22, 2025 Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
Features, Lists, MusicDecember 15, 2025<December 15, 2025 Atwood Magazine’s Top Artist Discoveries of 2025
Concerts, Features, Lists, MusicDecember 12, 2025<December 12, 2025 Atwood Magazine’s Best Concerts of 2025!
Columns, Features, Music, Weekly RoundupNovember 21, 2025<November 26, 2025 Atwood Magazine’s Weekly Roundup: November 21, 2025
Features, Music, Reviews, RoundtableNovember 13, 2025<November 13, 2025 Roundtable Discussion: A Review of Doja Cat’s ‘Vie’
Columns, Features, Music, Weekly RoundupNovember 12, 2025<November 12, 2025 Atwood Magazine’s Weekly Roundup: November 12, 2025
Interviews, Music, PremieresNovember 7, 2025<November 7, 2025 “It’s a loving goodbye”: Box Blonde Turns Heartbreak into High Art on “I Watch You Watch Her”
Features, Music, Reviews, RoundtableNovember 6, 2025<November 6, 2025 Roundtable Discussion: A Review of Florence + The Machine’s ‘Everybody Scream’
Columns, Features, Music, Weekly RoundupNovember 3, 2025<November 4, 2025 Atwood Magazine’s Weekly Roundup: November 3, 2025
Features, Music, Reviews, RoundtableOctober 31, 2025<October 31, 2025 Roundtable Discussion: A Review of Not for Radio’s ‘Melt’
For the Love of Music
For the Love of Music
