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Blake McMillan

Blake McMillan

Amy Jay "And So It Goes" © Brittany Buongiorno
Interviews, MusicNovember 27, 2024<November 27, 2024

Interview: Amy Jay Is Back, and She Brought Billy Joel’s Heartache With Her

Maude Latour 'Sugar Water' © Christina Bryson
Debut, Features, Interviews, MusicAugust 14, 2024<August 16, 2024

Interview: ‘Sugar Water,’ Explained in Maude Latour Pop Terms

Ocean Alley 'Low Altitude Living" © Kane Lehanneur
Features, Interviews, MusicApril 25, 2024<April 25, 2024

Interview: Ocean Alley Are Touching Back Down in Your City

Great Good Fine Ok © Shervin Lainez
Interviews, MusicApril 18, 2024<April 20, 2024

Interview: Jon Sandler & Luke Moellman Are in a State of Existence That’s Great Good Fine Ok With Them

sombr's Shane Boose © Emily Harris
Concerts, Music, ReviewsFebruary 5, 2024<February 5, 2024

Live: sombr Brings His Indie Rock Sound Home to Brooklyn’s Baby’s All Right

Recent Posts

  • The Moment Before Impact: Bird Maps the Wreckage of a Relationship on “The Car” September 5, 2026
  • Atwood Magazine’s Weekly Roundup: September 4, 2026 September 4, 2026
  • “Music Heals”: An Essay by Matthew Baione September 4, 2026
  • “It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms September 4, 2026
  • “I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance September 3, 2026
  • “I Want to Maintain That Softness”: Cautious Clay on ‘High Noon’ and the Value of Staying Open September 3, 2026
  • Roundtable Discussion: A Review of Olivia Rodrigo’s ‘you seem pretty sad for a girl so in love’ September 3, 2026
  • “Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth September 2, 2026
  • “I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return September 2, 2026
  • “Let’s Trust Our Guts”: Brennan Wedl Exits the Supervoid on Her Grungy, Twangy Self-Titled LP September 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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